For those of you who read this blog a lot, you know that I have a certain affinity for the nineties. It was the decade I attended high school, fell in love for the first time, graduated college, and started a career. So, a lot happened durning those years, making them rather significant for me. And the whole time, music was playing.
One thing I’ve noticed in the indie music scene is the resurgence of anything retro, especially nineties sensibilities and aesthetics. This agrees with me and my tastes. So, to start out the month of lists, I will begin with a list of those responsible for this nineties revivalism.
10. Fleet Foxes – Hippies were big in the nineties. The Grateful Dead were still a huge draw as was up-and-coming Phish. Blind Melon and Spin Doctors broke through at various points. Half of my friends were hippies. I played hacky-sack between classes now and again. Also, grunge label Sub Pop was beginning to turn into a folk label, well, not completely. Still, a band like Fleet Foxes would have done very well in those days.
9. Those who promote session beers – I had to work in a beer angle, but this is something I’ve been thinking a lot about lately. My first craft beers (or any kind of beer for that matter) was consumed in the nineties. I remember Sam Adams and Pet’s Wicked Ale being the most accessible of the craft beers. There were even a few brew pubs popping up. One thing all these breweries had in common was that they pretty stuck to style and rarely shot for extreme IBU’s or ABV. This is basically what the Session Beer Project is all about these days. So, I tip my nineties era white hat to Lew Bryson and his minions for keeping an eye on tradition as we move forward with craft beer or something like that.
8. Every band of my youth that has to reunite – Every time I think this trend will en, another band announces a tour and/or release. This time, it’s the Promise Ring shortly after Archers of Loaf’s run. This is after recent reunions for Guided By Voices, Sebadoh, The Breeders (again), Pixies (multiple times), Jon Spencer Blues Explosion, Pavement, etc. The nineties keep coming back through these bands that shaped the decade. Now, I’m waiting to see who else decides to reunite and take another run at it or even who’s left. Afghan Whigs? Sonic Youth (assuming they’ve played their last gig)?
7. Flannel – I actually searched out and purchased a flannel shirt for the first time in probably 17 years. The other night, Kanye West wore a flannel around his waste. The all-purpose, workman’s standby-turned-grunge-uniform is chic again. I always liked the comfort and warmth such shirts provided. Why shouldn’t they come back?
6. The Nevermind memorial parade – I too participated in this bit of nostalgia during Nevermind‘s 20th anniversary. While the merits of the album’s musical quality can be debated, it is hard to ignore the cultural impact it had, even beyond Nirvana, Kurt Cobain, and grunge. The efforts to remember Nevermind and consume it made me feel like it was 1991 all over again… or maybe more like 1992.
5. Shoegazers – M83, Yuck, Atlas Sound/Deerhunter, Wavves, and many more young bands I’m forgetting may not be straight-up shoegazers, but they all contain certain elements of what My Bloody Valentine made somewhat famous 20 years ago. Veterans Yo La Tengo, Mogwai, and Ride have also maintained a presence in 2011 along with their shoegaze leanings. As I get older, I see elements including sampled drones, feedback, loops, unintelligible vocals, and just beautiful noise coming from indie circles. MBV’s legacy is that every band sounds like them on at least one track per album.
4. Lo-fi – Unbelievably, many bands have somehow been able to attain the sonic heights of shoegaze while simultaneously maintaining a lo-fi aesthetic/ethic. I blame shitgaze and the return of the original Guided By Voice lineup. Still, the warmth provided by some tape hiss and feedback take me back to my lazy days in college. Thank you, Times New Viking and other lo-fi revivalists. Your screwed up recordings make me smile at the thought of audiophiles throwing fits at you leaving their expensive speakers ineffective and pointless. That and you sound great on vinyl.
3. Stephen Malkmus & the Jicks – I remember when all the old hardcore kids and eighties indie rockers would come back around in the nineties, making me wish I was old enough to have both seen them in their prime and as matured, fully-developed artists. Malk provides this for me today. And he hasn’t really changed much since his nineties hay-day.
2. Wild Flag – Besides smart-ass, white boy indie rock, the nineties were known for the riot grrrl movement. In the Pacific-Northwest, it was about sheer energy and youthful exuberance. In the East, it was about songcraft and esoteric guitar music that amazed even the boys with hands in their pockets. Wild Flag captures both. Besides that, it was great just to see 2/3 of Sleater-Kinney and Mary Timony back on stage in an important band.
1. Yuck – More so than any other band or genre shift, Yuck epitomizes nineties indie rock. It’s surprising as most of the band members are barely old enough to remember what that was like. At times, they sound like Dinosaur Jr. and at others like My Bloody Valentine. Then, it’s just straight up indie a la Sebadoh, Pavement, [name of generic nineties indie band here], etc. It’s nothing new, but it’s done well.
More lists to come… Feel free to comment on what I missed or other lists I should write this month. Tomorrow is a Session post, so the next list might come out over the weekend but no later than Monday.