Beer and Pavement

Happy Xmas

Posted in Life, Manifesto by SM on December 24, 2010

Why is it orange? There's an app for that.

Happy Christmas, y’all. It’s nearly been a year on this “new” blog and it’s been fun. Many of my faithful readers from misery past have stayed with me as I attempt to build coalitions through beer and Pavement. And along the way, I’ve gained several new converts[1]. Overall, it’s been a good year.

There are no big announcements this year. I’ll attempt to post once a week as usual[2]. The posts will continue to be long and meandering with many self-gratifying footnotes[3], but I do that you for you, my faithful readers.

So, sit back with some “Gold Soundz” and yet another beer. This coalition is only getting started. We have a world to change, people.


1I apologize if I did not link to your blog. I sort of got lost in coming up with links and forgot who’s been linked and who hasn’t. The oversight is just that and not a slight in the least. Of course, if you commented more and linked back to my blog more, I might not have made such an error.
2I fully recognize that I go weeks without posting, but I do have somewhere around 60 posts. That’s more than the 52 required to be a weekly thing.
3Did you really think I’d dump the footnotes?

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Pitchfork Recap

Posted in Live by SM on July 20, 2010

Aluminum Stage - LCD Soundsystem

I had a lot of ideas for blogging post-Pitchfork, but figured most of you would just want a rundown of the bands. Included are a few of the pictures that actually turned out. I’m decent with close-up angles and whatnot, but I can’t get the hang of the zoom, holding still, or context from a distance. So, there are very few good pictures to share [1].

So, without further ado, here’s my take on this year’s Pitchfork Music Festival…

Broken Social SceneFriday
The train actually arrived somewhat on time for me to catch a cab to my hotel and make the Metro with enough of a window to make The Tallest Man on Earth’s set (or at least part of it). However, I soon realized my ticket was still in my hotel room. So, I missed the first performer on my list to see. No worries as it gave me time to figure out the festival layout, grab some food, drink a beer, and buy a Pitchfork t-shirt for my child[2].

First up for me was Liars. Something can be said for a man in a sleeveless Men At Work t-shirt providing deep, foreboding vocals over a dark, punk rawk onslaught. Well, the t-shirt was a one-time thing, me thinks, but the rest of it was all Liars. They absolutely assaulted the crowd with their uneasy, tension-heavy, Slint-like dirges. I don’t know what it is, but dark, ominous bands like this work for outdoor summer music festivals. The contrast is striking. They don’t give a shit as their pale skin burns in the sun and the band expects nothing less than for the audience to pay attention, bobbing heads to the beat of their somber message. To say the least, it was a quite a start to the weekend.

For something lighter, I headed to the Balance stage for the comedic stylings of Wyatt Cenac – yes, that Wyatt Cenac. Before the Daily Show correspondent came on, Hannibal Burress[3] was wrapping up. He was comfortable and fluid, even at ease with the crowd of music fans and hipsters. Then, Cenac came out. He started slow and built some momentum before he completely flopped. Something changed[4]. I don’t know whether a joke missed or what, but Cenac just sort of stuttered through the rest of his bit. I chose to move on instead of watching this sinking ship.

I opted to skip Robyn[5] and wait over at the Connector stage for Broken Social Scene to commence. And commence they did as the current line-up bounced around their catalog seamlessly. They were much more focused than the last time I caught them. Of course, the set times at a festival such as Pitchfork mean more concise setlists. Still, BSS were a lot of fun. That was apparent as they started with new rocker “World Sick” but followed it with the BSS classic “Stars and Sons”. The set was about as perfect as could be expected[6].

Modest Mouse closed out the first day on the main stage, also known as the Aluminum. I was beat from the day’s travel, so I hung back to for the set. As I wore a 13-year-old Modest Mouse t-shirt[7], I remembered the days of seeing this band in small clubs. I appreciate those opportunities so much more now as Modest Mouse has long ago made the transition to this sort of stage and spot in a festival lineup. Funny, the one song that probably put them in that position (“Float On”) was not a part of the setlist[8], but “Dramamine” was and I was taken back to the show where I bought that t-shirt in a club with washing machines in Cincinnati[9]. It reminded me that I still like Modest Mouse, possibly more out of a feeling of nostalgia than anything they record these days. Either way, it was a nice way to close out the evening.

I beat the crowd[10] and searched out a bar with a nice tap and bottle list. I sipped a Two Brothers Hop Juice which was the perfect antidote for a road-weary traveler. I liked the beer so much that I made a point to bring a bomber home, among several other select brews. More on all that in a future post[11].

This was my first full day in the city, so I intended to take advantage. Near Union Park where the festival was being held, there was a restaurant/bar called Twisted Spoke. A graveyard of motorcycles sat out front, but inside was an impressive bar with even a more impressive beer selection. The list was so good that I contemplated hanging around for a late morning beer[12] or at least a return for beers in the evening. However, it was not in the cards. Instead, I loaded up on calories with a passable breakfast burrito. Still, the Twisted Spoke will be on the list for my next Chicago trip, whenever that is.

There were a lot of early performers on Saturday’s lineup I wanted to at least catch a glance so as to form a more complete opinion of their work. First up was Netherfriends, a Chicago band whose releases are put out on the Columbia, MO label Emergency Umbrella. They were much sharper in my opinion than last summer’s EU showcase. I made sure to catch Free Energy over on the Aluminum stage and just couldn’t get into the cheesy hippie vibe they were selling. Think of every cheesy pop-rock hit of the 70’s and 80’s and there you have Free Energy. It’s funny how recycled sounds in music are often confused for innovation[13].

Real Estate[14] took over Connector. What came out was a pleasant surprise as they recalled my entire college years of going to see bands trying to emulate Pavement with their oddly hooky melodies and odder guitar tunings. They were good enough to make my list of bands with LP’s to purchase. Part way through, I caught a moment or two of Sonny & the Sunsets at Balance…but I really don’t remember much. They were poppy, entertaining, sort of doo-wop retro or something. They weren’t as annoying as Free Energy, but they also weren’t as memorable either. So, I returned for the rest of Real Estate’s stellar set.

I watched a couple of pointless minutes of Delorean[15] before heading to Balance for Kurt Vile. Where Real Estate reminded me of the local bands I used to see and love, Vile reminded me of many of my nineties heroes. With his long hair in his face, shoegazing, I was reminded on several occasions of another Kurt. His form of garage rock made me think of everything from the hinted-at Nirvana to Guided By Voices to Dinosaur Jr[16]. Kurt Vile’s catalog certainly deserves a closer listen than the one EP I currently own[17].

Sadly, I had to leave Vile’s set early in order to catch the opening of Titus Andronicus’ Connector performance. Although leaving before Vile completed was unfortunate, it was well-worth it as Titus put on one of the more impassioned sets of the festival. I knew they would be a great live band, but it was even better than expected. Luckily, the next act on Connector was another rawk outfit[18] in The Jon Spencer Blues Explosion. JSBX was in mid-nineties form and quite possibly was the best-dressed act of the weekend[19]. The band ripped through a mixture of the old and newish, showing the kids what rock ‘n roll is all about. The last two times I had seen them, they played too little (about 10 minutes) and way too much (somewhere in the ballpark of 2.5 hours[20]). So, it was great to hear/see a blistering sub-hour-long set from the old men of rawk.

I quickly made it over to a rather crowded Aluminum stage for Wolf Parade’s turn. I’ve loved this band for a while and have greatly anticipated seeing them. Keeping the pace set by Titus and JSBX (sans a brief and awkward interruption from former Wu Tanger Raekwon[21]), Wolf Parade did not disappoint, opting for little banter and preferring to just play. The cool synth sounds of Spencer Krug balanced perfectly with Dan Boeckner’s  rock licks. This was something I’ve always known, but it actually translated live in the early evening sun.

Originally, my plan at this point was to skip the last two acts and hit a brewery, but the long day took it’s toll. I opted instead to stay for Panda Bear and LCD Soundsystem. Panda Bear was interesting, even somewhat enjoyable. However, it was a bit of a snore for an outdoor music festival. LCD Soundsystem, on the other hand, were really pretty good, revealing to me their appeal. LCD is a rock band making dance music or DJ’s making rock music or something like that. Anyway, I enjoyed much of their set, but had to sneak out early in preparation for day 3.

Day 3 was easily the best day of the festival. Besides the headliner, the day was loaded with the best buzz bands and most eclectic mix. I spent more time at the Balance stage than the first two days as its lineup was packed with interesting bands all day long. At some point, sacrifices had to be made.

I saw very little of CAVE, a Chicago band with Columbia connections, due to a 20 minute thunderstorm which wreaked havoc on the stage’s sound system[22]. The stage was running behind for the rest of the day. With CAVE’s late start, I decided to head over to see Allá. Despite the Latin flair in their promotional material, I didn’t catch much of a Latin presence aside from three of the band member’s perceived ethnicity. What I did detect is some good, old-fashioned grunge. This band would have thrived circa 1992. Sunday, they were good enough to demand some attention. I later returned to see CAVE’s rather impressive finale.

At this point, the dance between stages had only begun. I moved between sets by Cass McCombs (think Elvis Costello pop sensibility in front of a garage band), Best Coast (surprisingly great), Girls (infinitely better than the last time I saw them), Local Natives (White Rabbits with more punch and harmonizing, if that’s possible), Beach House (more below), Lightning Bolt (freakishly entertaining[23]), and Surfer Blood (also see below).

I bought the first Beach House record and haven’t really gone back for more. The record was good, but I didn’t really grasp what they were doing that was so great. This year’s release was getting a fair amount of pub, so I made a point to check them out on Sunday. I’m glad I did as their sets was easily one of the top five of the festival. The music reminded me of Cat Power, pre-R&B obsession and without all the crazy. I get their appeal now. Beach House won me over this weekend.

Another band I was not sold on was Surfer Blood. Their debut was fine enough, but I wasn’t sure what it was doing. Was it Was it straight-up rock similar to Soft Pack? Was it bland adult-alternative crap? Their live show cleared up the confusion. More than almost any other band in this year’s lineup (along with Real Estate), Surfer Blood reminded me of Pavement. The vocals were more American-meets-Manchester and the musicianship may have been better, but it was very Pavement-esque. They’re not a Pavement clone, but they’ve gleaned enough to make some pretty compelling rock music.

This was the point in the day I made a decision. I didn’t need to see any other band besides Pavement. I skipped out on Here We Go Magic, a band I was really wanting to see. I did this just so I could set up shop 10-15 feet from the Aluminum stage where Pavement would play three hours later. From this spot, I “watched” St. Vincent tear up the Connector stage. She was really impressive, much more so than when I saw her open for Andrew Bird, but I didn’t leave my spot. I survived Major Lazer and waited through Big Boi just to stay near the stage.

Before moving on, I have to write something about Major Lazer. Major Lazer is a DJ, hype man, and various dancers. That hype man and the two featured female dancers simulated sex on stage while downing copious amounts of alcohol. I’m no prude, but this was some raunchy-ass shit. We’re talking doggy-style, legs wrapped around waists, and even sexual acts involving one participant launching himself[24] from a ladder onto his “dance partner”. Of course, the music is sexually charged as anything I’ve heard. Whatever. It was highly entertaining. I can’t say that I’m a Major Lazer fan, but it could have been worse.

Big Boi played the other stage and then there was Pavement.

It was as if they had never left. The band, somehow frozen in time, took the stage in their customary positions – SM on the left[25], Ibold center-stage, Spiral Stairs on the right, Nasty & West in the back – and promptly false-started their first song. The second try at “Cut Your Hair” went much smoother. This was exactly as I remember my favorite band even after eleven years of silence. They were perfectly imperfect from the beginning. There’s so much more for me to say about Pavement that won’t fit in this post. I’ll do another just on their set later this week. Just know that it was as good as advertised. I can’t wait to see them again in September.

That was my weekend. I had some time on Monday to wander Chicago and grab some more beer to take home. The train was over an hour behind schedule, but that didn’t dampen my mood. There will be more on Pavement and Chicago’s status as a beer destination later this week. So, stay tuned. In the meantime, read through the footnotes[26].

1And I use the term “good pictures” rather loosely.
2This is where I am in my life now. I buy rock concert t-shirts for my kid. It’s no longer about me proving to everyone how rock ‘n roll I am. It’s now about proving to everyone how rock ‘n roll my kid is. I don’t know whether it’s pathetic or sweet.
3He claimed to have a gig with Saturday Night Live. I believed him, but I thought for sure Lorne Michaels had a one-black-dude limit. I could be wrong though.
4I think it had to do with the noise from the other stages.
5If I want pop, I’ll go to a Brittney concert. Seriously, from what I could hear, it was downright awful. Of course, I know some dudes who would disagree.
6Although, Brendan Canning looked like a middle-aged woman with his slightly over-sized glasses, bright tank top, and feathered hairdo. Kevin Drew looked like a skinnier, younger Jeff Tweedy in his panama and sunglasses. Still, they were quite excellent musically.
7This breaks maybe the biggest rule in my concert-going rulebook. You should never be that guy who wears a band t-shirt for the band you are seeing. However, I considered two facts as exceptions to the rule. First, this t-shirt, along with JSBX and Pavement t-shirts worn the next two days, is more than a decade old, featuring bands from my college days. Second, outdoor summer festivals have different rules in general regarding such things. I believe I was well-within my right to wear these t-shirts.
8I will not lose any sleep over this fact.
9It’s called Sudsy Malones. I had a beard and wore a thrift store sweater like every day back then. We actually got to meet Isaac Brock that night. He offered us beers, giving three of us one and keeping one for himself as he hit on a female companion of ours and our brother’s roommate who had similar Buddhist-inspired tattoos as Brock.
10Encores were put in place for old people like myself to slip out before the kids clog the exits.
11My beer adventures were not that impressive on this trip, but I do have an impression as to what kind of beer city Chicago is.
12I really wanted a Founders Cerise, but figured 11:00 am was too early for a beer. And with the temperatures expected in the 90’s, getting an early start with the alcohol was not the best of ideas.
13Yes, I do recognize that many of the bands I praise on this blog do the same thing. However, they often emulate bands I also like. So, reinvention is great when it’s something worth recycling.
14Mentioning this band will undoubtedly get me some SPAM comments from real estate agents. I was able to Tweet one thing about Real Estate and I now have real estate agents from all over the country following me.
15In all fairness, Delorean played really hard. They just aren’t my cup of tea. I’m OK with synth music and music intended for dance clubs. I just don’t like a lot of it disguised as an indie band. Is that close-minded? Probably. Do I care? Not really.
16I realized that Vile toured with Dinosaur Jr upon purchasing a concert poster in the fest’s gallery of poster makers. It’s a Dinosaur Jr poster featuring a wine bottle just before it is de-corked. Kurt Vile is listed as an opener.
17The EP isn’t terrible. It’s just full of a tracks that sound like he’s fucking around. Vile’s live show is way more compelling than fucking around.
18Although I am not anti-keyboards, I grow weary of them after a while. Just play some guitar, dammit.
19I am particularly talking about Jon’s pants. He wore black vinyl with neon green stitching and he owned those pants.
20Oddly enough, that show was also a summer festival in a major city, sponsored by an entertainment rag. It was the inaugural Village Voice Siren Festival on Coney Island.
21OK. I am also not anti-hip hop. I love the Wu and a lot of other hip hop acts. I just often have a hard time with alt rock festivals throwing some hip hop acts into the lineup and then watching a bunch of middle-class white kids getting all gangsta for an hour. It’s fine if it’s your thing. I’m just not that into it.
22But it allowed me to check out some of the vendors a little more closely. I picked up the 33⅓ take on Wowee Zowee which I digested on the train ride back to Missouri.
23Lightning Bolt is two dudes. One plays bass. The other plays drums with some sort of mask. There’s a mic inside the mask which muffles everything the drumming screamed over their music. Oh, and they played ridiculously fast. If you ever get a chance to see them live, do it.
24And herself.
25Almost to the point that he was by himself, playing toward his band mates.
26I suspect this was a lot easier to read than past posts, given that I now have added anchored footnotes. Thanks David for the idea.

Two for the Road

Posted in Records by SM on April 1, 2010

We had to travel in order to visit some family this past weekend1. So, I took advantage of the time to listen to new records2 throughout our travels.

I first heard Let’s Wrestle’s “I Won’t Lie to You” on a compilation3 a while back. From the get-go, I was hooked. Then I found out they were signed to Merge. What else did I need to know?

The band’s material is all over the map. There’s the punk charm of Billy Bragg, sans the politic. I hear a ton of Dinosaur Jr’s rawkward geekiness, without the guitar heroics. Plus, the presence of the youthful exuberance of a young Noise Addict4, with British accents instead of Aussie. The sound is still raw and emulates their heroes more so than creating their own niche, but that’s to be expected from such a youthful bunch of hooligans.

As a whole, In the Court of the Wrestling Let’s is as danceable and fun debut as one might want. It won’t shatter anyone’s expectations of rock ‘n roll, but it will remind you why you go to rock shows and buy more albums than you need5. There are even instances where I can tell this band won’t do punk records forever and my expand their repertoire to make albums of more substance in the future. However, for now, I want them to flaunt their youth and remind me that a piece of me is still young6. That’s why this record will be in heavy rotation for the spring and summer months, possibly beyond.

I’m lame. I have a minor crush on Zooey Deschanel. It’s nothing serious7, nor creepy. I just think she’s cute and her quirkiness gets me every time. There are no posters on my wall. The screen saver on my computer is not a series of Zooey Deschanel images. I just have a lame-ass guy crush on a Hollywood/Indie “it” girl8.

This does not cloud my view of her music. Sure, I loved Volume 1 she did with M Ward as the combo She and Him, but I was not alone in proclaiming the album’s greatness. Volume 2, on the other hand it is taking me some time to get.

The second She and Him album is bigger and brighter than the first. Deschanel still sings about relationships she’s had, not those for which she longs9. M Ward is still a master of producing 50-year-old hits. While all this sounds good, it doesn’t quite fit into the neat package that Volume 1 did, pulling me in from the first listen. Volume 2 is a good companion/sequel, but I don’t think I would give it as much time as I have had it not been for the band’s first effort. Eventually, it will grow on me and earn a regular spot in the rotation, but I doubt it ever overtakes Volume 1‘s place in the all-time list.

1We hit Pittsburgh before heading up to Huntingdon (near State College). I love older cities and towns like these. There’s so much character in eastern states. I miss it.
2Obviously, I did not listen to records on the road. The first album reviewed here is only out on CD. So, I lowered myself to purchasing said CD and played it on the ride to the airport. The second album came with the now-expected Mp3 download.
3The comp was created by my sister for my daughter Lucia after videos of Lu surfaced of her dancing in our living room naked. Lu’s aunt thought that she needed a mix in order to encourage more dancing. On the compilation are songs by Prince, The Clash, Unicorns, Michael and Janet Jackson, as well as Sponge Bob Squarepants.
4Early nineties teen band from Australia which was a pre-Claire Danes Ben Lee, released records on Thurston Moore’s and the Beastie Boys’ labels, respectively.
5It’s fun, exciting, makes you feel like you’re part of a community, etc.
6Despite the pains in my back that seem to shoot down my leg every morning.
7Then, I would be writing about my upcoming divorce. No worries.
8As far as indie it girls, there’s been Julianna Hatfield, Liz Phair, the Deal sisters before they became bloated on drugs, Neko Case, Feist, etc. Those crushes all fade eventually.
9This is a key difference between her and most indie musicians. Normally, they are way more awkward and unsure of themselves or they put on such a persona that their shyness doesn’t seem apparent at first. Zooey is a different creature all together.
10Look. It’s a very sensible size for a footnote section. I bet you’re proud of me…or hoping that the footnotes go away. For now, they stay.

Boys Only

Posted in GenderBender, Manifesto by SM on January 25, 2010

“Boys Only” is not the most accurate title for this post. I mostly wanted to address the idea that certain things are for only the manliest of men. It’s the idea that rock ‘n roll and beer (among many other things) can only be properly appreciated by the most testosterone-riddled individuals is what I want to refute.

I remember seeing Pavement in the spring of 1995 as they supported Wowee Zowee. My sister and I were able to almost reach the stage for Pavement’s set. Directly in front of us were these bros and their little girlfriends1. Besides their drunken slurring and spitting, these “fellow” Pavement revelers were shirtless and ready to kick some ass. Already sweaty from openers Fuck and Dirty Three, my sister and knew that we were in for a long show.

Pavement came out and the ruckus began2. The bros moshed like there was no tomorrow, high-fiving at the start and stop of every song. God3 only knows what they were screaming throughout the set. I don’t think they were making any requests as I’m pretty sure they barely knew who Pavement was.

Why were these two mooks even at this show and why did they feel the need to not let anyone else enjoy the music? I see these same guys4 at every show, particularly outdoors. For whatever reason, someone5 has played for them a Pavement, Sonic Youth, or Dinosaur Jr song that they thought rawked. This emboldens them to not only attend indie rock shows but to then “show these indie fags how we throw down at an ICP show, bitches!” Really? Do we need this element at indie rock shows, too? They already took over grunge6 and emo7; now they want slow-core, shoegaze, and math rock to complete their dominance of the summer music festival circuit. Why does rock music have to be so masculine? I don’t care what a guitar represents. This is why moshing didn’t last. No one wants that shit at their Iron and Wine shows!

While I think indie rock’s separation from a testosterone-fueled mindset is pretty straightforward8, beer is another story. Beer, whether it’s swill9 or good craft beer, has been claimed by the manliest of men. For Bud Light drinkers, it’s the quantity of beer you down in a sitting. You’re only a man if you finish this case on your own. With beer geeks, it’s about quality. “Don’t bring that silly New Belgium Fat Tire10 to my party. We drinking nothing but the Stone Vertical series in order! Boo-ya!”

Well, maybe it isn’t that bad, but I am let down time and time again at beer tastings. The beer arms race is out of control. It used to be about discovering a brew you’d never had before at the grocery or beer shop, but now it’s all about getting every beer from out-of-market locales. 12% ABV, fermented in bourbon barrels, Brettanomyces, 100 IBU’s, blends, collaborations, etc. The escalation to try every beer or at least have one in your cellar is intense.11

I sometimes complain to my beer geek friends that I have more beer than I know what to do with between searching local stores daily, having my mom bring me out-of-market brews12, and brewing my own. They all look at me like there’s fish coming out of my forehead. “You can never have too much beer!” they exclaim. Silly me. My liver and self-respect be damned. No drink up.

Of course, the overtly masculine male takes over everything. Football. Darts. Sheep herding. Gardening. Cross-stitching. Everything. It’s in their nature. There’s no room for vulnerability or a feminine sensibility. Join in or be the fag they knock to the floor.

I don’t love things like music and craft beer because I am male. I love them because they make me happy. There is no reason why these things have to be bastardized by tired gender stereotypes.

As much as anyone, I like to let off a ton of steam dancing at a rock show or playing air drums whenever possible. This is a expression of pure emotion. It isn’t an opportunity to assert my masculinity.

I don’t have to down a bottle of beer in one long gulp or hunt down every rare beer just to prove myself a worthy beer geek. Beer should be about enjoying a quality beverage, pairing it with good food, and sharing it over good conversation.

I submit that not only are these pastimes (as well as many others) not for boys only, but they don’t have to be hyper-masculine hobbies either.

As a programming note, I want to apologize for the excessive footnoting. I was influenced by the author John Sellers and blogger doublewordscore13. It will happen again. It’s like old-school hyperlinks, but I have those too.14

So, have a beer for me and drop the needle on your favorite record. I’ll see you next time.

1What I mean by “little” is that they were rather short and petite. This in no way was meant as a demeaning comment toward the young ladies. Rather, it addresses these bros’ preference for petite girlfriends. It also addresses their unrealistic expectations for the female (as well as male) body to stay tiny and fit throughout life. I’m sure these same bros had a rough time once they knocked up their girlfriends (possibly on that very night) and watched their flat bellies turn round. I feel sorry for their spouses, children, and mistresses.
2My most vivid memory of this moment also involved a shirt as Spiral Stairs/Scott Kannberg came out in this homemade t-shirt which read something like “I ♥ PAVEMENT” in red letters on a white shirt with red 3/4 sleeves. That part was pretty sweet.
3Stephen Malkmus
4Not actually the same, exact bros. That’s an exaggeration to demonstrate how similar every concert situation I have includes dudes with backwards hats and too much to drink. Mooks. Douches. Frat boys. Whatever.
5This would be their roommate from freshman year, that smart girl they think is cool but would never admit it to their bros, or the VJ on 120 Minutes they happen to catch after passing out from a night of binge-drinking and date-raping.
7pre-New Found Glory
8I haven’t even mentioned the constant one-upsmanship of indie geeks and record store clerks who have everything The White Stripes ever did on vinyl for Sympathy for the Record Industry or were at the last North American Pavement show and the final Afghan Whigs gig. This issue is addressed more in the beer section of my argument.
9Why do people drink yellow fizzy beer? It’s more rice than anything and you have to drink a shit-ton to get even a little tipsy. Why not have three good beers and enjoy the buzz and the flavor?
10Of course, I call it “Flat Tire” which isn’t OK. New Belgium is maybe the greenest brewery in the world. That and they do make some good beers. I love me some La Folie.
11I fall for all these things. My cellar is overflowing as I write this. I think I have a problem.
12That’s Ohio. Best recognize!
13Whom I once got fired, but he is as loyal a friend as there can be. I am indebted to him forever. You should totally click through to his blog so that his stats are completely skewed towards my site. He’ll begin to think that all of his readers have come from me.
14Now, I’m just getting lazy with these things. Maybe next time I will utilize the footnotes more efficiently/effectively. And if you’re reading this, you have to be reconsidering adding me to your RSS reader.

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