Tonight, I am playing records at the Uprise Bar here in Columbia, MO for Monday Night Vinyl. If’ you’re nearby, stop in. The set starts at 9PM and will last until either they kick me out or I run out of records. The latter is more likely than the former as I have a pretty substantial list from which to work below as well as a plan to play through The Walkmen’s Heaven to finish off the night.
You may also follow me on Twitter where I will do my best to update records played and beers had. (I updated the list with what I can remember. I wrapped about two minutes past closing. It worked well and didn’t have to pay for one beer. Said beers: 4 Hands Pryus Saison, Avery 19th Anniversary Tripel, Bacchus.)
Track(s) | Band/Musician | Album
- Cut Your Hair | Pavement | 12 ” single
- Here | Pavement | John Peel Session 7″
Baptiss Blacktick | Pavement | Summer Babe 7″
- With a Girl Like You | Condo Fucks | Fuckbook
- Stockholm Syndrome | Yo La Tengo | I Can Hear the Heart Beating as One
- Autumn Sweater | Yo La Tengo | I Can Hear the Heart Beating as One
- Little Honda | Yo La Tengo | I Can Hear the Heart Beating as One
- The Wall | Yuck | Yuck
- Head to Toe | The Breeders | Head to Toe 7″
- Shocker in Gloomtown | The Breeders | Head to Toe 7″ (GBV cover)
- Auditorium | Guided By Voices | Alien Lanes
- Motor Away | Guided By Voices | Alien Lanes
- Try Harder | Times New Viking | Dancer Equired
- Mr. Superlove | Ass Ponys | Mr. Superlove
- My World Is Empty Without You | Afghan Whigs | My World Is Empty Without You
- If I Were Going | Afghan Whigs | Gentlemen
- Gentlemen | Afghan Whigs | Gentlemen
- Divine Hammer | The Breeders | Last Splash
- Boyfriend | Best Coast | Crazy For You
- Walk in the Park | Beach House | Zebra
- Go Outside | Cults | Cults
- Forward Forward Back | Believers | Believers
- Let the Cool Goddess Rust Away | Clap Your Hands Say Yeah | Clap Your Hands Say Yeah
- After Hours | Caribou | Andorra
- Desire Be Desire Go | Tame Impala | Inner Speaker
- Rock and Roll Will Never Die | Neil Hamburger | Hot February Night
- Sink to the Beat | Cursive | Burst and Bloom
- Going Back to Cali | LL Cool J | Less Than Zero
- Michael Jackson | Das Racist | Relax
- Scenario | A Tribe Called Quest | The Low End Theory
- Hey Ladies | Beastie Boys | Paul’s Boutique
- Gangsta | Tune-Yards | Whokill
- Eleven | Thao & Mirah | Thao & Mirah
- Bellbottoms | The Jon Spencer Blues Explosion | Orange
- Ditch | The Jon Spencer Blues Explosion | Orange
- Busted | The Black Keys | The Big Come Up
- Gloria | Patti Smith | Horses
- Born to Run | Bruce Springsteen | Born to Run
- A More Perfect Union | Titus Andronicus | The Monitor
- Xmas Trip | Run On | Start Packing
- You’re Pretty Good Looking | The White Stripes | DeStijl
- Indian Summer | Beat Happening | Jamboree
Here She Comes Now | Nirvana | 7″ split w/Melvins (VU cover)She’s Real | Built to Spill Caustic Resin | Built to Spill Caustic Resin 10″ (Kicking Giant cover) She’s Real | Built to Spill Caustic Resin | Built to Spill Caustic Resin 10″ (Kicking Giant cover)Here She Comes Now | Nirvana | 7″ split w/Melvins (VU cover)
- [whenever you see fit] | 7MO6DES4T-HMOEURSEO | [whenever you see fit]
- Slap Me | The Folk Implosion | Take a Look Inside…
- You and Me | Archers of Loaf | Icky Mettle
- Might | Archers of Loaf | Icky Mettle
- Untitled | Interpol | Turn on the Bright Lights
- Obstacle 1 | Interpol | Turn on the Bright Lights
- Look out the Window | The Walkmen | Split EP
- Laminated Cat | Loose Fur | Loose Fur
- Farewell Transmission | Magnolia Electric Company | Magnolia Electric Company
- The President’s Dead | Okkervil River | The President’s Dead
- King of Carrot Flowers part two | Jeff Mangum | Live at Jittery Joe’s
- King of Carrot Flowers part three | Jeff Mangum | Live at Jittery Joe’s
- Oh Comely | Jeff Mangum | Live at Jittery Joe’s
- Heart of Gold | Neil Young | Harvest
Waiting for Superman | Iron and Wine | Around the Well (Lips cover) Waiting for Superman | The Flaming Lips | The Soft Bulletin
- Inside the Golden Days of Missing You | Silver Jews | The Natural Bridge (and maybe something else from this album)
- Honk If You’re Lonely | Silver Jews | American Water (and maybe something else from this album)
- The Wild Kindness | Silver Jews | American Water
- Discretion Grove | Stephen Malkmus | Discretion Grove 7″
- Two Beck tracks that I’ve forgotten…
- Fall Away | Stephen Malkmus | Mirror Traffic
- Gorgeous Georgie | Stephen Malkmus | Mirror Traffic
Billie | Pavement | Terror Twilight Fight This Generation | Pavement | Wowee Zowee Two States | Pavement | Slanted and Enchanted Stereo | Pavement | Brighten the Corners
- Fillmore Jive | Pavement | Crooked Rain Crooked Rain
Still, I’d like to see the hall recognize bands that should be inducted, like Sonic Youth, Alex Chilton, Brian Eno, etc. A nice list of snubs was printed in the Village Voice just last week. So, there are plenty of bands left out to fill its own hall.
Although I hate the R&RHoF, I worry that Pavement won’t garner an induction when they’re eligible in a couple years…
Not really, but I worry that some great bands will not get their due credit, whether that means a nod from the Hall or not. So, I’d like to propose an indie hall of fame. I’d probably start with bands represented in each chapter of Michael Azerrad’s Our Band Could Be Your Lifeand go from there. That would mean Black Flag, Minutemen, Mission of Burma, Minor Threat, Hüsker Dü, The Replacements, (previously mentioned) Sonic Youth, Butthole Surfers, Big Black , Dinosaur Jr., Fugazi (yes, Ian MacKaye gets in twice), Mudhoney, and Beat Happening all get in for starters.
Of course, maybe craft beer should have their own hall of fame. As far as Americans go, there would be space reserved for Fritz Maytag (Anchor Steam), Ken Grossman (Sierra Nevada), Jim Koch (Sam Adams), Charlie Papazian (homebrewing), and Michael Jackson (beer critic). There’s room for brewers from other countries, but I’d avoid brands of beers. Let’s stick to inventive brewers and founders of various breweries or advocates of beer in general.
Someone needs to get on these halls of fame. Why there isn’t a craft beer and indie rock hall of fame, respectively, I shall never understand. If I didn’t have other, more important tasks at hand, I’d make my life’s work the establishment of one or the other. For now, I’ll leave this debate up to you, my dear readers.
Still, what I do here in terms of looking for the crossover appeal between craft beer and indie rock deserves its own attention. I can at least give over a post or two a month declaring a certain performer or brewer as deserving of my hall of fame. So, that’s what I’ll do…
As with any hall of fame, there should be certain criteria, criteria I will list below. Members of the International Coalition of Craft Brewers and Indie Rockers will…
- …work independently from corporations for at least five years of their existance.
- …maintain a sense of independence from corporate will and focus groups.
- …stick to artisinal and/or traditional ways of practicing their craft.
- …have at least one anecdote of crossover appeal with indie rock or craft beer.
- …appeal to my readership and me.
What else? What other criteria should I consider for this hall of fame?
Also, let me know if you’d like to pick up the cause of either proposed hall. I would gladly lend a helping hand in making them happen.
1 As if I’m ever clear.
2 That said, I visited the hall at least twice during its first year in business. It would be interesting to go back 15 years later to see how it’s changed. I would probably be disappointed like I was for the Experience Music Project in Seattle.
3 If I have one essential read in this world, this is probably it. No one reads nonfiction, especially nonfiction about indie rock. To fully understand independent music, one has to read this book. It’s so complete in both its variety of subjects and its depth of coverage.
4 Actually, I’d let him in three times. Once for each of the bands mentioned as well as a third time for his work with Dischord Records.
Do you play favorites?
Martyn Cornell, AKA The Zythophile, did this bit praising brown beer. While most in the comments and among the beery blogosphere have chosen to focus on Martyn’s ode to brown bitter, I walked away (virtually) with a different message. Martyn’s post is about how we can’t really claim to like beer if we have favorite beer styles.
What spoke to me was a comparison to music (in a beer blog – I’m partial). One can’t claim to love music if all he likes is one particular genre or artist. We’re limited by favorites and we fail to listen or search out new music if we continually turn back to the same old same old. Granted, I proclaim Pavement as my favorite band of all-time, but I’m not limited by this declaration.
Martyn goes on to demonstrate how he doesn’t have a favorite music or beer, but there are things he could handle over an extended period with one kind of music or beer. He names quite a wide range of music he likes. However, the post is about his love for English bitter, a style that would suit him for a time if that’s all he could drink.
I get this.
Some of you may not be aware that I taught fourth and fifth grades for ten years. When one
teaches facilitates the learning of 9-11 year-olds, it’s easy to pick out favorites. There’s the really bright-but-shy kid who always saves the day with her insights. I always had a soft spot in my heart for the kid who had everything going against him, but he showed up at school everyday, ready to learn. I could go on and on, but the point is that playing favorites limits us. If I had spent all my time and efforts on those few favorites, I wouldn’t have discovered the gifts of my other students. More importantly, I would have done a disservice to those who were not my favorites.
You don’t like beer if you only order one style at the bar. Think of all those other breweries and styles on which you’re missing. I honestly drink a lot of IPA’s and DIPA’s. However, I don’t know that I would truly appreciate these beers had I not begun to branch out into sweeter or more sour territory. In fact, I often have nothing hoppy on-hand since discovering many other styles of beer. (Plus, these beers are best enjoyed fresh. So, they don’t stay around long.) It’s better to not play favorites in this instance as sticking to one beer or style gives one nothing with which to compare.
The same can be said for music. Listening to the same albums and bands over and over only means that you’re not listening to something else, possibly something new. It’s easy to fall into ruts, wondering whether or not you have the energy to pursue new music. We should branch out now and again with our listening habits. Even when I lump all of the music I favor into the category “indie rock”, I fully recognize that there’s an incredible amount of variety, so much variety that it’s silly to name it all using the same ambiguous label. I can say that I love music because I truly love many kinds of music.
Now, all of this love for variety does not necessarily mean that we don’t linger with a few
favorites gems. I still listen to at least one Pavement album a week. Last night, I ordered a double IPA from Six Row followed by a Green Flash Barley Wine at dinner. Insound is sending me an LP by Lee Renaldo and The Shins shortly after. My last beer I brewed was a repeated fav, Big Black. Old habits die hard. Creature comforts are…well…comfortable.
Yes, we’ll say that we have favorites, but by definition, we would consume little or nothing else. That definition?* Preferred before all others of the same kind. So, for my purposes here, I’m looking at how this manifests to the extreme.
If IPA’s and Pavement were my favorites, I wouldn’t be listening to Beach House as I type this, wondering when is the right time to pop open that Lou Pepe. Maybe there should be a better term for what Martyn describes and I’m ripping off, but, for now, let’s not play favorites.
*This is for Bill. Although, I doubt it will satisfy him. I just hope it clarifies from where I’m coming.
Update: Please read the comment thread, particularly Bill’s comments. My intention was not to make music and beer exclusionary, but that’s the message I sent. I’ll leave the post up as is, but you should read the entire discussion.
I’ve come to the realize that all I’ve ever wanted to do was write. There’s some regret that I didn’t use my college years to develop my writing more than I did. Instead, I decided teaching children was a better use of my skills. Boy, was I wrong.
Blogging has only been a hobby of mine for the past five years. Aside from a few posts picked up by the local paper, I’ve generally only seen my words in digital ink and not the soy variety. However, this is the closest I’ve come to both developing my writing and actually publishing what I wrote.
That’s about to change. As some of my regular readers are aware, I’ve often contemplated turning what I do here into a book of some sort. Obviously, these posts are a long, long way from being published, but the growth I’ve seen in my writing has me thinking that I could do this with some polish here and there. Plus, I am never short on ideas. Yeah, I go weeks with barely anything to say, but I’ve maintained several blogs at once over the years, sometimes able to post on a daily basis. Although I lack polish, I more than make up for it with ideas. I’m like the Bob Pollard of blogging. Sort of.
Although, I have been talking about writing for a while, I really got serious a couple of weeks ago while having beers with a friend. He’s “dabbled” in publishing and suggested that I should just start contributing articles or reviews to magazines. I don’t know whether he was a little drunk, actually enjoys what I have to say, or was seducing me, it made me realize how easy it would be to submit writing to a publication. Actually getting published might be another story, but the idea was to put something out there, to at least try.
So, I started considering publications to approach. I know a guy who wrote every-other record review for the year-end issue of Magnet. (Yes, they’re publishing Magnet again.) He’s an excellent writer, but he seems to appreciate some of my ideas now and again. It make me feel as if I could do what he does, or at least a fraction of it. It may be time to write a record review for submission beyond this blog.
Then, I flipped through to the last page of the March issue of All About Beer. The magazine closes with a feature called “It’s My Round” where people briefly tell their beer-related stories. This particular piece was written by a daddy blogger about his first sips of beer and how he wants to wait to share beer with his son. I could have written those words, but I didn’t. Then, I saw a note at the bottom explaining how to inquire about submissions. That was the opening I needed. I’ll write about beer and Pavement in a beer magazine. It might not get printed, but at least I’ll be able to say I tried.
Finally, the other night, semi-frequent commenter Holly sent me a link to a call for submissions. The venerable 33 1/3 series which features short book on some seminal albums is asking for submissions for new projects. The books are simply memoirs about some of the greatest albums of the last 30 or so years. Some editions just tell the story of the recording of said albums. Others tell a band’s story, focusing mostly on one moment in their history. Still, others tell the story of the listener’s relationship to the album. Whatever, I decide to do, this is a project I must try!
I had to drive for 90 minutes after learning of the call. So, I had time to think. My mind raced from album to album, trying to pinpoint the album most deserving of a 33 1/3 edition. I then had to consider my angle as the call implied that unique stories would receive preferential treatment. Maybe I could write about an album in relation to the rise of craft beer. Maybe there’s an angle I could consider that I’ve already explored on this site. Maybe I have a perspective no one else has…
So, I came up with a list of possible proposals for the series, but the publishers will only accept one. Feel free to submit your own, but all I ask is that you don’t steal any of my worthy ideas (if there are any). Tell me which I should pursue in the comments. I have an idea which one will stand the best chance of being accepted and actually completed, but I want to see what you all think. I also welcome any ideas you may have for me that I’m completely missing.
Terror Twilight – Pavement
This isn’t even my favorite Pavement record, but I feel there’s a story that hasn’t been told. For those who aren’t aware, this was Pavement’s last record. Between my experiences throughout the nineties with the band, my attendance at their final North American show (the first time around), my attendance at two of their reunion shows in 2010, and the stories swirling around their inevitable breakup during the recording of Terror Twilight, I think there is easily an entire book to write.
The Body, the Blood, the Machine – The Thermals
This album carried me through a tough time in my life and is just so ridiculously good. I thought that I might connect it to the rise of craft beer in Portland (or the rise of Portlandia in general). Plus, I have established a rapport with head Thermal Hutch Harris. Still, it might be a stretch to make the connections I’m trying to do here. That, and I’ve never been to Portland. I also considered albums by Cursive and Spoon during their brief sojourns to Portland or the transplanted albums by The Shins or Stephen Malkmus and the Jicks.
Number Seven Uptown – Swearing at Motorists
I always felt that this album just sounded like growing up in Ohio. Dave Dougman has an interesting story cutting his teeth in Dayton, before heading to Philly and eventually Berlin. He also seems really approachable. However, I don’t know that this album is known well enough for it to garner its own spot in the series. It’s certainly seminal to my experiences, but that might not be enough for 33 1/3. Other possibilities could include a Guided By Voices album not yet featured (Alien Lanes?), The Amps’ record, or Brainiac’s Hissing Prigs in Static Couture.
Other records I would consider but would probably just research the band, possibly leaving out my own experiences…
Perfect from Now On by Built to Spill
The Lonesome Crowded West by Modest Mouse
Come On Feel the Illinoise by Sufjan Stevens
Any album by Archers of Loaf
Funeral by Arcade Fire (Seriously, no one has written this book yet.)
Please come correct with your suggestions or your take on what I’ve cooked up here. Particularly, I’d love to hear the perspective of my beer enthusiast readers who know of a beer/music connection I must explore.
In last week’s top-5, I predicted there would be some indie rock tribute beers this year. Since I want to be part of the solution and not the problem, I have decided to post five possible examples of beers that could be brewed as a way to properly recognize the chemistry that exists between indie rock and craft beer.
5. Dogfish Head Guided By Voices Heavy Lager – I once heard Bob Pollard proclaim on stage that he drinks “Bud Heavy” and not Bud Light. So, I think Dogfish Head needs to produce a “heavy” lager, maybe an imperial pilsner or high ABV bock of some sort and dedicate it to the reunited classic GBV lineup. I chose Dogfish Head because they’ve done this sort of thing before and there’s a picture of Sam Calagione wearing a GBV t-shirt out there somewhere.
4. Stillwater Bright Eyes Angst-Ridden Saison, Aged in Red Wine Barrels – I once had a pretty in-depth discussion about Bright Eyes with Stillwater brewer Brian Strumke. So, I know he’s a fan and would totally be into this sort of thing. I also know that Conor Oberst loved some red wine. If anyone could figure out a way to brew the perfect beer involving a red wine barrel (Pinot Noir possibly?), it’s Brian. This is actually the beer on this list that I personally think has the best chance of actually happening.
3. The Bruery Pavement Pilsner, AKA Watery Domestic – Of course I had to figure out a way to work Pavement into a beer. I suspect The Bruery could tap into Pavement’s Northern California aesthetic from their early days and brew their first commercially-available pilsner in the process. Since it’s from The Bruery, expect some flavors and adjuncts that will throw you for a loop.
2. Shmaltz Brewing Company He’Brew Yo La Tengo Barley Wine – A better brewery and band pairing would be hard to conjure. Shmaltz calls NYC home and specializes in Jewish-themed brews with their He’Brew line, particularly their Hanukkah gift pack. Yo La Tengo hails from across the river in Hoboken, but they spend a lot of time in the City. Every year, YLT celebrates their Jewish heritage with a set of shows each night of Hanukkah. A huge barley wine that improves with age would be ideal.
1. Just About Any Portland Brewery to Brew an IPA in Honor of Just About Any Portland Band – I get that this will be seen as a cop-out, but how could one narrow Portland’s beer and music scenes to just one brewery and one band. The one thing that isn’t hard to figure out is the beer’s style. An IPA makes the most sense here as some of the best come from Portland. Their bitterness can be a turn-off for some at first, but eventually the joy that is a Wests Coast IPA is discovered. The same goes for the average Portland indie band.
Update: This happened today. Let’s get on this, Stillwater, Bruery, Schmaltz, et al.
For those of you who read this blog a lot, you know that I have a certain affinity for the nineties. It was the decade I attended high school, fell in love for the first time, graduated college, and started a career. So, a lot happened durning those years, making them rather significant for me. And the whole time, music was playing.
One thing I’ve noticed in the indie music scene is the resurgence of anything retro, especially nineties sensibilities and aesthetics. This agrees with me and my tastes. So, to start out the month of lists, I will begin with a list of those responsible for this nineties revivalism.
10. Fleet Foxes – Hippies were big in the nineties. The Grateful Dead were still a huge draw as was up-and-coming Phish. Blind Melon and Spin Doctors broke through at various points. Half of my friends were hippies. I played hacky-sack between classes now and again. Also, grunge label Sub Pop was beginning to turn into a folk label, well, not completely. Still, a band like Fleet Foxes would have done very well in those days.
9. Those who promote session beers – I had to work in a beer angle, but this is something I’ve been thinking a lot about lately. My first craft beers (or any kind of beer for that matter) was consumed in the nineties. I remember Sam Adams and Pet’s Wicked Ale being the most accessible of the craft beers. There were even a few brew pubs popping up. One thing all these breweries had in common was that they pretty stuck to style and rarely shot for extreme IBU’s or ABV. This is basically what the Session Beer Project is all about these days. So, I tip my nineties era white hat to Lew Bryson and his minions for keeping an eye on tradition as we move forward with craft beer or something like that.
8. Every band of my youth that has to reunite – Every time I think this trend will en, another band announces a tour and/or release. This time, it’s the Promise Ring shortly after Archers of Loaf’s run. This is after recent reunions for Guided By Voices, Sebadoh, The Breeders (again), Pixies (multiple times), Jon Spencer Blues Explosion, Pavement, etc. The nineties keep coming back through these bands that shaped the decade. Now, I’m waiting to see who else decides to reunite and take another run at it or even who’s left. Afghan Whigs? Sonic Youth (assuming they’ve played their last gig)?
7. Flannel – I actually searched out and purchased a flannel shirt for the first time in probably 17 years. The other night, Kanye West wore a flannel around his waste. The all-purpose, workman’s standby-turned-grunge-uniform is chic again. I always liked the comfort and warmth such shirts provided. Why shouldn’t they come back?
6. The Nevermind memorial parade – I too participated in this bit of nostalgia during Nevermind‘s 20th anniversary. While the merits of the album’s musical quality can be debated, it is hard to ignore the cultural impact it had, even beyond Nirvana, Kurt Cobain, and grunge. The efforts to remember Nevermind and consume it made me feel like it was 1991 all over again… or maybe more like 1992.
5. Shoegazers – M83, Yuck, Atlas Sound/Deerhunter, Wavves, and many more young bands I’m forgetting may not be straight-up shoegazers, but they all contain certain elements of what My Bloody Valentine made somewhat famous 20 years ago. Veterans Yo La Tengo, Mogwai, and Ride have also maintained a presence in 2011 along with their shoegaze leanings. As I get older, I see elements including sampled drones, feedback, loops, unintelligible vocals, and just beautiful noise coming from indie circles. MBV’s legacy is that every band sounds like them on at least one track per album.
4. Lo-fi – Unbelievably, many bands have somehow been able to attain the sonic heights of shoegaze while simultaneously maintaining a lo-fi aesthetic/ethic. I blame shitgaze and the return of the original Guided By Voice lineup. Still, the warmth provided by some tape hiss and feedback take me back to my lazy days in college. Thank you, Times New Viking and other lo-fi revivalists. Your screwed up recordings make me smile at the thought of audiophiles throwing fits at you leaving their expensive speakers ineffective and pointless. That and you sound great on vinyl.
3. Stephen Malkmus & the Jicks – I remember when all the old hardcore kids and eighties indie rockers would come back around in the nineties, making me wish I was old enough to have both seen them in their prime and as matured, fully-developed artists. Malk provides this for me today. And he hasn’t really changed much since his nineties hay-day.
2. Wild Flag – Besides smart-ass, white boy indie rock, the nineties were known for the riot grrrl movement. In the Pacific-Northwest, it was about sheer energy and youthful exuberance. In the East, it was about songcraft and esoteric guitar music that amazed even the boys with hands in their pockets. Wild Flag captures both. Besides that, it was great just to see 2/3 of Sleater-Kinney and Mary Timony back on stage in an important band.
1. Yuck – More so than any other band or genre shift, Yuck epitomizes nineties indie rock. It’s surprising as most of the band members are barely old enough to remember what that was like. At times, they sound like Dinosaur Jr. and at others like My Bloody Valentine. Then, it’s just straight up indie a la Sebadoh, Pavement, [name of generic nineties indie band here], etc. It’s nothing new, but it’s done well.
More lists to come… Feel free to comment on what I missed or other lists I should write this month. Tomorrow is a Session post, so the next list might come out over the weekend but no later than Monday.
I am here to help you with your Thanksgiving music and beer pairings to insure a happy and enjoyable turkey dinner. That and I’m filling space until this post-a-day thing is over…
Indie Rock Thanksgiving
Here are five albums you should consider playing during Thanksgiving dinner. To some, this list may look “boring,” but to those I suggest that maybe we don’t want to rock out with our cocks out or balls to the wall, so to speak. Maybe this Thanksgiving, we want to be calm and reflective. That and my wife doesn’t want anything loud playing during dinner.
Jose Gonzalez – In Our Nature
Quietly haunting and intense, this record will carry the day with this unnerving feel that have you bobbing your head slightly. However, no one will notice as the quiet, hushed tones of Mr. Gonzalez will feed your soul the way turkey cannot. That and it reminds me of fall.
Nick Drake – Way to Blue: An Introduction to Nick Drake
I usually shy away from compilations or best-of albums, but this one is done right as a retrospective of Drake’s career. Throughout, feelings of the oncoming death of winter are prevalent at all periods in Drake’s catalog. His low whisper is pleasant enough not to interrupt dinner conversations, but his masterful guitar playing provides fodder over the table.
Bon Iver – For Emma, Forever Ago
I had Thanksgiving dinner a couple of times in Wisconsin. This is what it sounded like (aside from the joyous times spent eating and getting drunk). The first time I made the trip up there, it was the last time I traveled anywhere with an old girlfriend. So, I can relate to Bon Iver’s dumping, the one that led to this album happening.
Nico – Chelsea Girl
I needed a woman mixed in here somewhere, but so many of the women I listen to are much to strong to play as background music at dinner. It’s hard to find a strong conviction in any music without interrupting the dinner. Nico’s somberness while being backed by the Velvet Underground pairs nicely with the whispery fellows on this list. That and it reminds me of Wes Anderson films that always look good at Thanksgiving.
Beirut – Gulag Orkestar
This album may be a little more bombastic than those above, but that tone fits with a raucous dinner that feels festive once familial tensions break over bread. Still, this is Beirut’s best album. It should be listened to during any feast.
Also: Sufjan Steven’s Come on Feel the Illinoise, Pavement’s Terror Twilight, Feist’s The Reminder, Beach House’s Teen Dream, Iron and Wine’s The Creek Drank the Cradle, Cat Power’s What Would the Community Think
Craft Beer Thanksgiving
Here are suggestions for each course of your Thanksgiving meal. There’s a style of beer as well as my favorite for the day. I’ll also tack on a couple of other beers that fit the profile. I’m basing this mostly on how my Thanksgivings usually go. This year will be different, but I think I can still keep up this pace.
Pre-game Warm-up: Lager (really, any kind) – Victory Prima Pils
The idea here is to awaken the senses without getting too drunk before you start. The light, effervescence of a well-carbonated lager can get your taste buds properly primed for the feast to come. I usually crack open the first one while I fire up the smoker.
Alternatives: Coney Island Lager, Great Lakes Brewing Company Dortmunder Gold Lager, Avery Joe’s Premium American Pilsner
Cheese/Appetizer Course: India Pale Ale – Firestone Walker Double Jack Double IPA
Cheeses tend to carry with them strong, pungent flavors and aromas that challenge any palate. The best beer to match a strong cheese is an IPA or DIPA. Even with softer, lighter cheeses, I find a west coast IPA brings enough fruity character that neither cheese nor beer is lost in the other. Plus, I just like IPA’s.
Alternatives: New Belgium Ranger IPA, Stone Cali-Belgique Belgian IPA, Bell’s Two-Hearted Ale
Main Course: Belgian Quadrupel – St. Bernardus Abt 12
We typically serve a smoked turkey which packs the juicy flavors we want in our Thanksgiving turkey as well as substantial smokiness. The malty Quad matches and stands up to the smoke like few other beers can. The dark fruit flavors in the beer pair with almost any food like a red wine does, but better. The Quad is the only way to go when it comes to turkey dinner.
Alternatives: Three Philosophers Belgian Style Blend, Boulevard The Sixth Glass, Straffe Hendrick Quadrupel
Dessert: Russian Imperial Stout – Schlafly Reserve Russian Imperial Stout
Dessert is going to be something chocolaty, fruity, or pumpkin/sweet potato. Russian Imperial Stouts bring coffee, bourbon, and chocolate to match and/or pair with any of these desserts. Or you could just sip on one of these beers alone for dessert. It’s the same thing.
Alternatives: Stone Imperial Russian Stout, Mikkeller Black, Hoppin Frog B.O.R.I.S The Crusher Oatmeal Imperial Stout
Digestif: American Barleywine – Great Divide Old Ruffian Barley Wine
Barleywines feature a sweetness and hop bitterness thats nice to sip, not guzzle. Of course, after all this food, sipping yourself off to sleep might be the way to go.
Alternatives: Avery Hog Heaven, He’Brew Genesis 15:15, Sierra Nevada Bigfoot Barleywine Style Ale
What will you be drinking? What will be playing on your record player (or iPod)? Do tell. Also, be sure to point out my faulty reasoning.
Carrie Wade thinks she’s really funny, so funny that she posted this atrocity on my Facebook wall. Really? We’re supposed to believe that Pavement pairs well with 1 PBR? What, because they’re like hipster slackers of something? Eff that.
I’m taking it upon myself to pair some bands with beers that make sense. Comment freely or suggest your own pairings. The wrong that has been created on Drinkify must be stopped. I mean, we’re trying to build coalitions up in this joint.
Pavement – Saison
I considered choosing one beer for Pavement but settled on a style instead. With a band like Pavement, it depends on the record. Crooked Rain, Crooked Rain might require the smooth quirkiness of a Boulevard Tank 7, but Wowee Zowee is a Boulevard Saison Brett all the way. The Saison is one of the more versatile styles out there. These beers can be loved or hated, depending on one’s mood, but they are generally appreciated. The range of flavors (earthy to citrusy to sour to bitter) is only equaled by the range of Pavement’s discography. Also of note is that Stephen Malkmus represents the entirety of the Stillwater lineup of artisanal Saisons.
Wilco – Schlafly American Pale Ale
What goes better with dad rock better than a slightly hoppier pale ale from the St. Louis area? Wilco, of course. This easy-drinking lesson in hoppiness is the perfect beer for the dad who wants to still show that he’s cool without drinking anything too bitter or high in alcohol. I mean, he does have to drive home. I also considered Three Floyds’ Alpha King, but figured it only paired with Wilco’s more obtuse work like A Ghost Is Born.
Fiery Furnaces – New Belgium La Folie
They’re both difficult to love sometimes, but if you put forth the effort to find what’s good, it’s totally worth it. Because of this, both have the most loyal of fans who must learn to ignore all the judgmental stares from their peers for choosing to like something so difficult. I considered several more artsy, more difficult bands (Joan of Arc, Beat Happening) along with other Flanders red ales (Duchesse De Bourgogne, New Garus Wisconsin Belgian Red). The pairing just seems right.
Guided By Voices – Bell’s Two-Hearted Ale
I realize that Bob Pollard drinks Bud, not sissy craft beers, but the classic IPA is perfect for macro-arena rock from the midwest. I was torn on several bands and IPA’s, but I settled on two classics. The best part of the IPA are all the variations it’s birthed along with other possible pairings. Dinosaur Jr ruins your eardrums like a Stone Ruination IPA (which is really an imperial IPA) ruins your tastebuds. Other Stone varieties also pair well with similar indie outfits such as Cali-Belgique (Yuck) or the 15th Anniversary Escondidian Imperial Black IPA (Chavez). Of course, there’s always old standbys like a Modus Hoperandi (Superchunk) or Lagunitas Hop Stoopid (Archers of Loaf)…I could go on and on, but there are other beers and bands to pair.
Where was I?
Sonic Youth – Founders Canadian Breakfast Stout
There is a ton going on in a Sonic Youth record. Layers of rebuilt guitars and alternate tunings upon alternate tunings create a cacophony that’s all their own. And over the years, SY has grown into almost a completely different band. While they sound nothing like themselves 30 years ago, only they could have evolved the way they have. This is much like Canadian Breakfast Stout, the much hyped and oft-cited imperial stout of the moment. At the moment, there’s a lot of noise in that beer. The suspicion is that it will undergo a Sonic Youth-like metamorphosis while in the bottle that sits in my cellar. I’ve had a taste, but I can’t wait to have another.
Sufjan Stevens – He-Brew Genesis 15:15
Speaking of having a lot going on, this musician and beer pack a whole lota flavor in relatively small packages. Sufjan Stevens brings one layered opus after another from his home in Brookly, much like the brewers at Schmaltz/He’Brew. The religious imagery and connotations are undeniable…This is a pairing made in heaven.
Wild Flag – Avery/Russian River Collaboration not Litigation
The members of Wild Flag were never in any danger of suing one another, but they have collaborated to create one the year’s best records. The Avery/Russian River collab is nearly as caustic and full of riot grrrl power as Wild Flag is. Plus, at nearly, 9% ABV, it makes you as woozy as one might feel after a Carrie Brownstein windmill combined with a Mary Timony classic rock non-riff. Confused? You should be.
I think I have more, but it will take some time to sort them out. In the meantime, what are your favorite beer/music pairings? Do you like any of the pairings I suggested above? Do you have a better pairing for the bands and beers I listed here? As usual, leave some comments.
Sorry about not posting on Monday. It seems I’ve had a combination of no time, little sleep, a hangover, and no inspiration to write. It doesn’t mean I’ve quit writing posts, but I will miss a day occasionally. See Monday’s post.
It should be known that this is not an easy gig. I purposely started this blog to write regular commentary on my two favorite things (that are not people). Additionally, I wanted to do more than the paragraph with a link kinds of posts I see on so many blogs. I want my posts to be rich and complex or at least something that takes you more than a couple of minutes to skim. For the most part, I feel I’ve been successful with this goal.
I’ve also made a concerted effort to post three times a week. Since I do write longer posts than the average blogger, 5-7 posts a week is too much. Three feels about right. Still, even three has been a challenge. The Monday top-5 lists seem to be sputtering. It will be back, however, next week and it will be better than ever.
As the title of this post suggest, building international coalitions through beer and Pavement is not easy. It’s a stretch as – let’s be honest. Beer and indie rock don’t really matter that much. Also, I’m working really hard to get beer nerds to understand indie rockers and vice versa. This is harder than expected as I know a lot of beer enthusiasts who like indie rock and even a few indie rockers who will put down their PBR in favor of a Stone IPA now and again. Still, beer enthusiasts just don’t get my record collection or why I would spend time in a place called “The Hairhole” with a bunch of underage kids with a load BYOB. Conversely, it’s hard to convince indie fans that spending $10 on a bomber is a good investment.
I think I understand the beer nerd’s hesitation to get indie rock. Beer nerds tend to be somewhat mainstream. They have 9-5 jobs, a mortgage, and a family. The time and resources needed to keep up with music is exhausting. Indie rock is especially grueling as there are so many bands out there with new releases coming out weekly. Mainstream music is easier as you can hear it on the radio or only have to buy a CD every other month. Drinking a beer takes no time and can relieve the stresses of mainstream life without waking the kids.
The indie geek is more difficult to understand as his disposable income is similar to that of the craft beer drinker. However, the bars the indie fan frequents tend to serve shitty beer. They get used to the stuff and enjoy the fact that they can still fit into their skinny jeans. It’s way cooler to throw back 5-10 Buds at a Guided By Voices show than to sip from a snifter as rowdy concert-goers ram into you.
I know both of these perspectives. Of course, some may argue I’m only a gentleman dabbler and they would be correct. However, I have a pretty long history following indie rock. Although my craft beer obsession has been around for a shorter time, I’ve always preferred more unique beers and now have the resources to satisfy that interest. So, I get the hesitation on both sides. I also get how these are two great tastes that taste great together.
So, I will continue to build coalitions. Someday, the worlds of craft beer and indie rock will merge to become one unstoppable force. Until that day, I will be a lone soldier in this battle to Build International Coalitions Through Beer and Pavement.