Beer and Pavement

Let me be clear^[1]. I am no fan of the Rock & Roll Hall of Fame^[2].

Still, I’d like to see the hall recognize bands that should be inducted, like Sonic Youth, Alex Chilton, Brian Eno, etc. A nice list of snubs was printed in the Village Voice just last week. So, there are plenty of bands left out to fill its own hall.

Although I hate the R&RHoF, I worry that Pavement won’t garner an induction when they’re eligible in a couple years…

Not really, but I worry that some great bands will not get their due credit, whether that means a nod from the Hall or not. So, I’d like to propose an indie hall of fame. I’d probably start with bands represented in each chapter of Michael Azerrad’s Our Band Could Be Your Life^[3]and go from there. That would mean Black Flag, Minutemen, Mission of Burma, Minor Threat, Hüsker Dü, The Replacements, (previously mentioned) Sonic Youth, Butthole Surfers, Big Black , Dinosaur Jr., Fugazi (yes, Ian MacKaye gets in twice^[4]), Mudhoney, and Beat Happening all get in for starters.

Of course, maybe craft beer should have their own hall of fame. As far as Americans go, there would be space reserved for Fritz Maytag (Anchor Steam), Ken Grossman (Sierra Nevada), Jim Koch (Sam Adams), Charlie Papazian (homebrewing), and Michael Jackson (beer critic). There’s room for brewers from other countries, but I’d avoid brands of beers. Let’s stick to inventive brewers and founders of various breweries or advocates of beer in general.

Someone needs to get on these halls of fame. Why there isn’t a craft beer and indie rock hall of fame, respectively, I shall never understand. If I didn’t have other, more important tasks at hand, I’d make my life’s work the establishment of one or the other. For now, I’ll leave this debate up to you, my dear readers.

Still, what I do here in terms of looking for the crossover appeal between craft beer and indie rock deserves its own attention. I can at least give over a post or two a month declaring a certain performer or brewer as deserving of my hall of fame. So, that’s what I’ll do…

As with any hall of fame, there should be certain criteria, criteria I will list below. Members of the International Coalition of Craft Brewers and Indie Rockers will…

• …work independently from corporations for at least five years of their existance.
• …maintain a sense of independence from corporate will and focus groups.
• …stick to artisinal and/or traditional ways of practicing their craft.
• …have at least one anecdote of crossover appeal with indie rock or craft beer.
• …appeal to my readership and me.

What else? What other criteria should I consider for this hall of fame?

Also, let me know if you’d like to pick up the cause of either proposed hall. I would gladly lend a helping hand in making them happen.

Notes:
1 As if I’m ever clear.
2 That said, I visited the hall at least twice during its first year in business. It would be interesting to go back 15 years later to see how it’s changed. I would probably be disappointed like I was for the Experience Music Project in Seattle.
3 If I have one essential read in this world, this is probably it. No one reads nonfiction, especially nonfiction about indie rock. To fully understand independent music, one has to read this book. It’s so complete in both its variety of subjects and its depth of coverage.
4 Actually, I’d let him in three times. Once for each of the bands mentioned as well as a third time for his work with Dischord Records.