Beer and Pavement

The Publishing Bug

Posted in Intersections, Life, Pavement, Records by SM on February 1, 2012

I’ve come to the realize that all I’ve ever wanted to do was write. There’s some regret that I didn’t use my college years to develop my writing more than I did. Instead, I decided teaching children was a better use of my skills. Boy, was I wrong.

Blogging has only been a hobby of mine for the past five years. Aside from a few posts picked up by the local paper, I’ve generally only seen my words in digital ink and not the soy variety. However, this is the closest I’ve come to both developing my writing and actually publishing what I wrote.

That’s about to change. As some of my regular readers are aware, I’ve often contemplated turning what I do here into a book of some sort. Obviously, these posts are a long, long way from being published, but the growth I’ve seen in my writing has me thinking that I could do this with some polish here and there. Plus, I am never short on ideas. Yeah, I go weeks with barely anything to say, but I’ve maintained several blogs at once over the years, sometimes able to post on a daily basis. Although I lack polish, I more than make up for it with ideas. I’m like the Bob Pollard of blogging. Sort of.

Although, I have been talking about writing for a while, I really got serious a couple of weeks ago while having beers with a friend. He’s “dabbled” in publishing and suggested that I should just start contributing articles or reviews to magazines. I don’t know whether he was a little drunk, actually enjoys what I have to say, or was seducing me, it made me realize how easy it would be to submit writing to a publication. Actually getting published might be another story, but the idea was to put something out there, to at least try.

So, I started considering publications to approach. I know a guy who wrote every-other record review for the year-end issue of Magnet. (Yes, they’re publishing Magnet again.) He’s an excellent writer, but he seems to appreciate some of my ideas now and again. It make me feel as if I could do what he does, or at least a fraction of it. It may be time to write a record review for submission beyond this blog.

Then, I flipped through to the last page of the March issue of All About Beer. The magazine closes with a feature called “It’s My Round” where people briefly tell their beer-related stories. This particular piece was written by a daddy blogger about his first sips of beer and how he wants to wait to share beer with his son. I could have written those words, but I didn’t. Then, I saw a note at the bottom explaining how to inquire about submissions. That was the opening I needed. I’ll write about beer and Pavement in a beer magazine. It might not get printed, but at least I’ll be able to say I tried.

Finally, the other night, semi-frequent commenter Holly sent me a link to a call for submissions. The venerable 33 1/3 series which features short book on some seminal albums is asking for submissions for new projects. The books are simply memoirs about some of the greatest albums of the last 30 or so years. Some editions just tell the story of the recording of said albums. Others tell a band’s story, focusing mostly on one moment in their history. Still, others tell the story of the listener’s relationship to the album. Whatever, I decide to do, this is a project I must try!

I had to drive for 90 minutes after learning of the call. So, I had time to think. My mind raced from album to album, trying to pinpoint the album most deserving of a 33 1/3 edition. I then had to consider my angle as the call implied that unique stories would receive preferential treatment. Maybe I could write about an album in relation to the rise of craft beer. Maybe there’s an angle I could consider that I’ve already explored on this site. Maybe I have a perspective no one else has…

So, I came up with a list of possible proposals for the series, but the publishers will only accept one. Feel free to submit your own, but all I ask is that you don’t steal any of my worthy ideas (if there are any). Tell me which I should pursue in the comments. I have an idea which one will stand the best chance of being accepted and actually completed, but I want to see what you all think. I also welcome any ideas you may have for me that I’m completely missing.

Terror Twilight – Pavement
This isn’t even my favorite Pavement record, but I feel there’s a story that hasn’t been told. For those who aren’t aware, this was Pavement’s last record. Between my experiences throughout the nineties with the band, my attendance at their final North American show (the first time around), my attendance at two of their reunion shows in 2010, and the stories swirling around their inevitable breakup during the recording of Terror Twilight, I think there is easily an entire book to write.

The Body, the Blood, the Machine – The Thermals
This album carried me through a tough time in my life and is just so ridiculously good. I thought that I might connect it to the rise of craft beer in Portland (or the rise of Portlandia in general). Plus, I have established a rapport with head Thermal Hutch Harris. Still, it might be a stretch to make the connections I’m trying to do here. That, and I’ve never been to Portland. I also considered albums by Cursive and Spoon during their brief sojourns to Portland or the transplanted albums by The Shins or Stephen Malkmus and the Jicks.

Number Seven Uptown – Swearing at Motorists
I always felt that this album just sounded like growing up in Ohio. Dave Dougman has an interesting story cutting his teeth in Dayton, before heading to Philly and eventually Berlin. He also seems really approachable. However, I don’t know that this album is known well enough for it to garner its own spot in the series. It’s certainly seminal to my experiences, but that might not be enough for 33 1/3. Other possibilities could include a Guided By Voices album not yet featured (Alien Lanes?), The Amps’ record, or Brainiac’s Hissing Prigs in Static Couture.

Other records I would consider but would probably just research the band, possibly leaving out my own experiences…

Perfect from Now On by Built to Spill
The Lonesome Crowded West by Modest Mouse
Come On Feel the Illinoise by Sufjan Stevens
Any album by Archers of Loaf
Funeral by Arcade Fire (Seriously, no one has written this book yet.)

Please come correct with your suggestions or your take on what I’ve cooked up here. Particularly, I’d love to hear the perspective of my beer enthusiast readers who know of a beer/music connection I must explore.