Beer and Pavement

On Beer

Posted in Beer by SM on April 8, 2011

I never really knew that I could love beer as much as I do today until one night at an Archers of Loaf show, many years ago. My friend Russ was drinking the shit out of some Columbus Pale Ale[1]. I joined him in the libations and was glad I did. The beer was so full of flavor and the bitterness was undeniable…but somehow this beer was très quaffable. How could anything that intensified the taste of beer, even drawing out the bitterness, be as good as this beer was?

Back in those days, the local brew was not that easy to come by[2], but I made it a point to order a Columbus Pale Ale whenever I could. Then there was the (once defunct, now back) Hoster Brewing Company[3], Barley’s, and Cleveland’s Great Lakes Brewing Company. All of these breweries made some tasty beers, but I didn’t know what was good and what wasn’t. I knew that they were better than the typical industrial, rice-adjunct lagers served in every bar. However, these beers weren’t as easy to obtain.

So, I drank other beers. There was Pete’s Wicked Ale and Sam Adams. Imports made their way into my belly. I mostly drank Guinness[4] and the occasional Bass. However, I learned to stay away from any German beer in a green bottle. Even back then, Heineken never tasted right[5]. I started frequenting this bar/bagel joint called Bernie’s. It was a hole in the basement, but some great rock shows happened there. Bernie’s was also a place that boasted a huge beer list[6]. On the side they called “the Distillery[7],” one could find a many pewter mugs hanging from the ceiling. Regulars who tried every beer on the list received their own mug with their name engraved. I made it halfway through the list before always settling on Sam Adams Boston Lager or Guinness[8].

Eventually, I ventured out west for a summer, to Seattle. There, I discovered that same intense feeling I got from that first Columbus Pale Ale. The bitterness and citrus of the hops burst into my mouth with each new northwestern beer I tried. There was a lot of Redhook (pre-corporate takeover), some Elysian, and some breweries I can’t remember. Of course, there were still the nights of Corona I’d rather forget, but craft beer was taking a hold of me. I just didn’t quite realize it.

After several years of floundering with imports, “microbrews[9],” and the occasional seasonal release, I sort of reached my summit in beer drinking or so I thought. I was comfortable ordering anything that wasn’t made of rice and sold via ads during the Super Bowl. I wasn’t a connoisseur, but I wasn’t a bro either.

Then, one night, it happened.

I hoofed it up to the corner beer and wine shop at the end of my street while I waited for a sandwich to be delivered. I wanted a beer, maybe two. I didn’t really want to buy a whole six-pack. So, I perused the the stacks and coolers for something interesting. All the sixers that looked good were more than I was used to spending. Then, I walked around the corner and saw a cooler full of these big beer bottles with the most sinister images of gargoyles daring me to pull them from the cooler. One bottle caught my eye in particular. It said “Stone Ruination IPA” around a gargoyle ready to charge. The green and gold paint on the bottle told me that this was no ordinary beer. The narrative scrawled on the back confirmed this assumption. This beer challenged me to drink it and taste anything else for the rest of the night. I took two home right away[10].

Stone Ruination is the beer that “ruined” me. All that citrus and bitterness. This was nothing like the pale ales and IPA’s I had had previously[11]. It certainly wasn’t anything like the imports that once satisfied me. I grew to be obsessed with the beer. As soon as I discovered the pizza place down the street kept Stone on tap, I always made a point to go there for dinner or to see a show no matter who was playing. My bachelor party started at that very pizza joint and was lubricated with a pitcher of Stone IPA[12].

Then, we moved nine hours away to Missouri. I had no idea there would be no Stone, no Columbus Pale, and certainly none of my previous haunts[13] to supply me with the beer I was learning to love. However, I discovered some new beers and learned to appreciate those I had taken for granted back in Ohio.

It started with Boulevard and Schlafly, the “local” Missouri beers. Then, there was Flat Branch, the Columbia brewery[14]. I rediscovered Bell’s and learned to appreciate Two-Hearted Ale[15], a beer that was too much for me pre-Ruination. There was no Stone, but I was making due.

That was probably three years ago. I never really thought things could change, but they did. That was just the beginning for where I am today with my beer geekery. To learn that part of the story, you’ll have to come back Monday.

To be continued…

Notes:
1If you haven’t been reading this blog for long, I’m from Columbus, Ohio. Columbus Pale Ale was the beer we drank at nearly every bar in town. It was a heavier, more bitter pale than one would normally find. However, that flavor-forward character has waned in recent years. This is either due to my evolving palate or a change in the recipe.
2None of the locals bottled and not every bar served the local brews in the beginning. By the time I left central Ohio, nearly every bar in town served Columbus Pale Ale.
3Hoster had a nice restaurant/brew pub in the Brewery District, but it eventually closed. In recent years, another company bought the rights to the name and recipes and Hoster lives on.
4This was my session beer through most of my senior year of college. At the time, this was impressive. However, now that I know Guinness has an ABV just over 4%, it’s not such a big deal and explains why I could drink so much without getting drunk.
5What’s funny is that some people still prefer Heineken, despite the fact that those green bottles are perpetually skunked in this country.
6I believe the list was somewhere in the 70’s or 80’s. It was boosted by a ton of weird imports they rarely had in the case anyway. I grew tired of drinking skunked imports for extra cash and eventually turned to a few favorites.
7It wasn’t actually a distillery, but it did serve a lot of drinks for such a tiny bar.
8I’ve explained my healthy intake of Guinness, but I drank a lot of Sam Adams as well. To me, it was heavier than the Guinness and quite tasty in those days. Then, things blew up for Sam Adams. While I still respect all that they’ve done and do for the craft beer community, the beer just doesn’t taste the same.
9The old term for “craft beer” was “microbrew.” This contrasted with the corporate brewers being called “macrobrewers.” This false dichotomy suggested that what microbrewers did and macrobrewers did was the same aside from the scale. However, it is clear today that craft brewers produce beer that is completely different from anything churned out by their corporate counterparts.
10I think in an earlier blog post, I reported that I purchased one of these bottles along with a sixer of something else. Upon further review (meaning that I thought about it for a moment), I remembered taking two bottles home. I planned to drink one, but I drank them both instead.
11It was a long time before I discerned the difference between pale ales and India pale ales, but it’s rather clear today. Honestly, aside from a few American pale ales, I don’t really care for the basic pale. Give me an IPA every time.
12Yes, it was not Ruination, rather Ruination’s little brother. Still, that IPA on tap is potent hopbomb.
13Some of these “haunts” include two beer shops that I had no idea were as stocked as they were. I recently revisited two beer stores within a five minute of my old house and found pretty much every beer on my theoretical wish list. Sadly, I don’t make enough money to fill that list, so I made due with what I could gather.
14At the time, there was another brewery that didn’t last long. The owner also happened to be a bee keeper. So, there was honey in every beer and not in a good way.
15This beer used to just seem so heavy and filling to me. Now, it’s a go-to beer.

10 Things I Believe About Building International Coalitions Through Beer and Pavement

Posted in Intersections, Manifesto by SM on April 6, 2011

This is a first draft, meaning that I haven’t had time to clean up some wording, include specific examples, or throw in a bunch of useless footnotes. I just didn’t have time to give this the proper treatment and still insure a post for Wednesday. However, all is not lost. Look over my list and tell me where I need to beef it up with examples and footnotes. Tell me where there are holes in my beliefs, or at least the way in which I’m expressing said beliefs. Also, any suggestions for an image would be appreciated. I have an idea to do something with the Ten Commandments, but I haven’t found the right image to doctor.

As part of my manifesto, here are ten core beliefs I hold in regards to building coalitions of international standing through the consumption of craft and homebrewed beer and records, lots and lots of records. These beliefs are opinions I have as to the eternal connection between beer and indie rock. Bookmark this page and adopt these beliefs as your ten commandments.

10. Craft beer and indie rock appreciate each other, but it ends there. This has to change. Beer nerds appreciate indie rock and may very well own some indie CD’s or attend an indie rock show now and again. Likewise, indie geeks splurge and order a good beer instead of opting for some PBR. Instead, what these two groups should be doing is embracing the interests of the other. Craft beer and indie rock are the equivalents of their respective industries. They are the small operations that keep DIY, locally-produced, and craft alive. That and both are meant for discerning tastes and not the mainstream. It seems craft beer and indie rock are a match made in heaven.

9. Even if you didn’t do it yourself, DIY is always the best way to go. Most craft brewers started out as homebrewers. Most indie rockers taught themselves how to play, record, or promote themselves. Both have created consumables we love in their garages and bedrooms. I try to do what I can for myself, but the next best thing are those who practice a DIY ethic or started out that way.

8. Beer and music are meant to be paired. What pairs better with a layered, complex, thought-provoking record than a layered, complex, thought-provoking social lubricant? Beer and good music have the power to make us dance and should be practiced together.

7. On the internet, beer and music sites are only outnumbered by porn, politics, and cats. Seriously. My Google Reader is loaded with over 100 feeds from the blogs about music or beer. There’s actually more beer blogs than music. I get tired of reading critics masturbate over music and beer blogs just give more useful information in the form of beer releases and reviews. Either way, the internet is primarily loaded with dude material and nothing’s more dude than beer and indie rock.

6. Beer and Pavement are healthy obsessions with many good lessons to teach us. Craft beer teaches us that the American dream is still alive. Pavement taught us that it’s best to do your best work, call it quits, and then get back together for one more go before calling it quits again. Plus, these obsessions help one enjoy life to its fullest without losing perspective. I’ve gone to many lengths to obtain craft beer and to see Pavement play live, but in the end, it really comes down to the enjoyment of the moment. I smiled watching Pavement reunite last summer. Similarly, I can enjoy every sniff and taste of a great DIPA.

5. Labels are like breweries. Bands are individual beers. Genres are the same as beer styles. There is a taxonomy for both that align rather nicely. There is nothing I enjoy more than waiting for the next batch of Maharaja or the latest record by the Walkmen. Each release reveals something new about an old favorite. These taxonomies make it easy to place labels, breweries, genres, styles, bands, and beers in context. I like taxonomies, especially those that parallel one another.

4. Bigger is better, but not when corporations are involved. When brewers and bands push the limits, the result is almost always better. Now, “better” might not mean that the beer actually tastes better than more conventional brews. It might not mean that a record sounds better than a band’s last effort. What “better” means in this instance is that the results are discussion-worthy. A beer or record that is big is full of ingredients and is produced under unique circumstances. Sam Calagione chews on corn and spits into the beer. The Walkmen spend a weekend recreating Harry Nilsson and John Lennon’s Pussycats. These are some big, ambitious projects that either turn out good or at the very least interesting. The only time that such ambition to do things bigger in either music or beer is when a corporation is involved. Creativity is thrown out in favor of efficiency. Bigger also means quite literally that they produce more crap in a shorter amount of time. Bigger does not always translate that way for indie labels and craft breweries.

3. Friendships are based on or can be destroyed through beer and music. This isn’t usually an intense relationship based on personal preference, but acquaintances evolve into strong friendships over a shared admiration of a fine imperial stout or on a roadtrip to see a band for the first time. Conversely, friendships fade when you choose the saison and your buddy chooses the Bud Lime or when you want to listen to some Neutral Milk Hotel and he wants Limp Bizkit. These preferences do not make or break friendships completely, but they come close.

2. Beer and music are at their best when it’s all about the craft. Regardless of your taste, we can all appreciate a well-crafted product. We might not always go for craft, but we can see the value in it. Some of us are willing to pay for that craft when it’s in the form of beer. Where indie rock is concerned, we’re willing to search it out. Interestingly, the cheapest and easiest to find beers and music are not often high on craftsmanship.

1. Beer and music is something about which we can talk. Craft beer and indie rock are the best for discussion. The hours I have spent discussing the value of that man snoring in the background of a Guided by Voices song or the times at a bar I’ve spent identifying flavors in a beer are some of the best memories I own (aside from those involving my partner and daughter, of course). Obviously, I really believe in this or I wouldn’t dedicate an entire blog to the topics and where they intersect.

Those are ten things I believe about beer and music. Is there anything I should add? What would your list look like for these topics or two subjects of your choosing? As always, leave a comment or link back from your own blog.

Notes:

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Believers

Posted in Live by SM on April 4, 2011

This post was published over the weekend at The CoMO Collective. Today is the official launch for the site. I don’t know exactly what that means, but if you are a fan of this blog and live in Columbia, Missouri, you should head on over there and see what we have to offer. It’s about more than music, but we should all branch out once in a while. As of now, there are no beer posts, but that might change.

That said, Believers is quickly becoming one of my favorite local bands. I suspect there are bigger things in their future, but for now I’ll relish in their two demos (linked below) and the one time I’ve been able to see them play. I don’t know whether they’re really that good or that I just like the idea of them. Either way, the band members I know in the band are nice guys. If you see that they’re playing, check them out. Once you start to hear them mentioned on other blogs, remember that you read about them here first.

Believers courtesy of yvynyl

Take that first Clap Your Hands Say Yeah record, mix in the better version of Vampire Weekend, add a dash of White Rabbits with a teaspoon of mysteriousness, you get Believers. Soon, you’ll all be believers and you’ll thank me for pointing you in their direction. You might think blog bands are passé and ignore this endorsement, but you would be missing out.

Maybe the most engaging and exciting thing that happened during all of True/False about a month back was the Believers set at the Super Secret party. Since then, the band has played a highly-discussed show at Mojo’s and is signed up to play Ink’s Middle of the Map Fest in Kansas City on April 8th. The sense of excitement and wonder in a Believers set is only challenged by all the interest the band is garnering.

Don’t take my word for how good this band is. Download their two tracks “Far From Home” and “Forward Forward Back” and you’ll figure out what all my gushing is about.

Far-From-Home

Forward Forward Back _Demo_

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Swearing at Motorists – Postcards from a Drinking Town

Posted in Records by SM on April 1, 2011

And that drinking town is Dayton.

Swearing at Motorists rose from the ashes of Dayton, Ohio to produce a sound that was so Ohio, you’d instantly shit buckeyes[1] upon hearing one of their records or seeing the two piece live. I’ve written before about the band. I once told a story about the band while getting all the details wrong. Frontman[2] Dave Doughman set me straight. Sadly, I thought there would never be an opportunity to do so again as the band called it quits a couple of years back. That is, until they released a download-only collection this week of old singles and rarities called Postcards from a Drinking Town.

Before I get to Postcards…, let me tell you a little bit about Swearing at Motorists. The band was nicknamed “The Two Man Who” and that moniker fit, but it was only half the story. On record, the sound was particularly lo-fi, but like the other Who-like Dayton band Guided By Voices, SaM songs were bigger than bedroom recordings. Live, the band was like an uppercut to the jaw. Sparse instrumentation filled space between Doughman’s tales of breakups, boredom, and too much beer. Swearing at Motorists were so engaging that it was hard not to be drawn into Doughman’s never-ending sagas. If you missed Swearing at Motorists, you missed out on something pretty great[3].

That said, I was pleasantly surprised Tuesday afternoon when across my Facebook feed came the following post…

This had been on my radar, but I had forgotten all about it. I immediately followed the link and downloaded this fine collection of 7″ and compilation tracks not found on the band’s seven or so proper releases. These tracks are a fine artifact of life in western Ohio in the mid-nineties. I felt everything was lo-fi back in those days[4]. We made what we had work. We were DIY by necessity. A band like Swearing at Motorists could capture that time. Thrift store t-shirts, souvenir ashtrays, shitty tape recordings…Those were the days.

While I recognize that my bias toward anything SaM releases, I also think there’s something here to which you could relate, dear reader. You’ve been drunk once, right? You’ve been dumped and out of work. You’ve surely seen a bar band or two. Somehow, I think you could relate to Doughman’s everyman persona. And that’s all it takes to love a Swearing at Motorist release. This one, in particular, is more raw and authentic than most. These recordings define lo-fi, but the genius behind the songs is unmistakeable.

If you haven’t done so already, head over to Secretly Canadian and download your copy of  Postcards from a Drinking Town. And while you’re at it, go here and download the free two-song EP To Gem City with Love. Of course, that’s only the beginning as you’ll surely want to explore more of Swearing at Motorists’ catalog.

Update: It seems, judging by all the activity from Doughman online, that Swearing at Motorists did not call it quits after all. There are reports of new material out there as well as some hints of a tour. This is good news for sure.

Notes:
1Or horse chestnuts. Whatever you want to call them. Either way, they’re a poisonous nut.
2I use this term lightly as Dave Doughman is really all of Swearing at Motorists. It’s typically him and a guy on drums. I checked the Wikipedia page just to see how many dudes have played drums for Doughman. It looks as if three different guys have played drums. While on Wikipedia, I also found this nice little tidbit…

Doughman mixes trace amounts of his own blood into the ink used in the disc printing process, pioneering the concept of the GrisD. Rumors persist that there was confusion over the term “serious chops” in his contract with Ol’ Scratch, and after some antics over semantics, can now grow sideburns to equal any cartoon samurai at will. Doughman’s documented penchant for sleeping in a topknot may be the source of such speak.

3This is why it’s so great that these tracks were reissued. That and something was said on a Facebook thread about playing in Oregon. Could there be a tour in the works?
4Seriously, our soundtrack was one shitty tape after another. Everything seemed muffled by tape hiss.

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