The Matador 100 Project: Teenage Fanclub & Fire in the Kitchen (Olé 007-008)
Two seven-inch records to consider, or 45’s or singles as they used to be known. I suspect the 7″ era started with 80’s hardcore. Also, it was probably easier to get together a few hundred bucks to put out a 7″. It was maybe the most DIY thing to do outside of selling mixed tapes out of your trunk. These two releases have a particular DIY feel unlike the “polish” of the previous LP and EP releases. Matador put out some good seven-inch records over the years. These are the second and third of the format as we near the end of the first ten Matador records to hit shelves.
Teenage Fanclub – “Everybody’s Fool” (Olé 007-7)
What I believe is Teenage Fanclub’s first release stateside (possibly second as they released a 7″ in the UK prior) is a perfect example of the TF sound: straight rock ‘n roll with touches of grunge and alt.country, off-kilter vocals. Side A features the title track that would one day close out Teenage Fanclub’s classic A Catholic Education. “Everybody’s Fool” is a beer-drinking rocker that surely closed out most of their live gigs and probably still should.
The B-side starts off with the drum machine cymbal lead-in of “Primary Education” which I’m sure was covered by someone at some point. I just can’t think of the band who did it. It’s simple and not nearly as mature a song as the first side, but it makes me think of Pavement more than Son Volt, unlike “Everybody’s Fool.”
More drum machine beats and a slide guitar are featured in “Speeder,” reminding me more of some Beck a la One Foot… or maybe even some Sebadoh/Folk Implosion instrumental. Again, the second side is sorta partially-realized – but no less enjoyable – tracks than a classic rocker.
Fire In The Kitchen – “The Fog” (Olé 008-7)
I know virtually nothing about Fire in the Kitchen. The blog Willfully Obscure knows more than I and that’s still not a ton. I do know this is a post-punk outfit from NYC which I realize describes a lot of what has come out on Matador. They are similar to Teenage Fanclub in this sort of straightforward, early nineties’ alt/indie rock way. It’s an interesting addition to Matador’s catalog. I don’t know whether it would have been deemed interesting enough for Matador five years after this record was released, but it’s a decent document of the musical times.
“The Fog” is Fire in the Kitchen’s hit. Of course, I say this without really knowing much else about the band. As I found out with HP Zinker, these bands have small but dedicated followings and surely the minds of Lombardi and Cosloy have proven themselves knowing talent when they hear it. But I have digressed a bit. As I said before, “The Fog” is the post-punk rocker above other post-punk rockers to enjoy and play air guitar to.
B-side “Inspector Marais” is more the mid-tempo song to which your Morrissey lovers may choose to dance. To me, it sounds a bit out of place in 1992. At points it’s very 80’s Manchester while a little disco-influenced punk. Both songs, really.
The impressive thing at this point in the catalog is the variety of acts on the roster. Sure, they’re mostly guitar-based bands from in and around NYC, but they don’t all sound the same or are just some take on grunge or hardcore or whatever labels were trying to pull off in the early 90’s. There’s a sensibility even among the art noise of Dustdevils or blue-collar punk blues of Railroad Jerk to the post-punk of Teenage Fanclub and Fire in the Kitchen.