The Publishing Bug
I’ve come to the realize that all I’ve ever wanted to do was write. There’s some regret that I didn’t use my college years to develop my writing more than I did. Instead, I decided teaching children was a better use of my skills. Boy, was I wrong.
Blogging has only been a hobby of mine for the past five years. Aside from a few posts picked up by the local paper, I’ve generally only seen my words in digital ink and not the soy variety. However, this is the closest I’ve come to both developing my writing and actually publishing what I wrote.
That’s about to change. As some of my regular readers are aware, I’ve often contemplated turning what I do here into a book of some sort. Obviously, these posts are a long, long way from being published, but the growth I’ve seen in my writing has me thinking that I could do this with some polish here and there. Plus, I am never short on ideas. Yeah, I go weeks with barely anything to say, but I’ve maintained several blogs at once over the years, sometimes able to post on a daily basis. Although I lack polish, I more than make up for it with ideas. I’m like the Bob Pollard of blogging. Sort of.
Although, I have been talking about writing for a while, I really got serious a couple of weeks ago while having beers with a friend. He’s “dabbled” in publishing and suggested that I should just start contributing articles or reviews to magazines. I don’t know whether he was a little drunk, actually enjoys what I have to say, or was seducing me, it made me realize how easy it would be to submit writing to a publication. Actually getting published might be another story, but the idea was to put something out there, to at least try.
So, I started considering publications to approach. I know a guy who wrote every-other record review for the year-end issue of Magnet. (Yes, they’re publishing Magnet again.) He’s an excellent writer, but he seems to appreciate some of my ideas now and again. It make me feel as if I could do what he does, or at least a fraction of it. It may be time to write a record review for submission beyond this blog.
Then, I flipped through to the last page of the March issue of All About Beer. The magazine closes with a feature called “It’s My Round” where people briefly tell their beer-related stories. This particular piece was written by a daddy blogger about his first sips of beer and how he wants to wait to share beer with his son. I could have written those words, but I didn’t. Then, I saw a note at the bottom explaining how to inquire about submissions. That was the opening I needed. I’ll write about beer and Pavement in a beer magazine. It might not get printed, but at least I’ll be able to say I tried.
Finally, the other night, semi-frequent commenter Holly sent me a link to a call for submissions. The venerable 33 1/3 series which features short book on some seminal albums is asking for submissions for new projects. The books are simply memoirs about some of the greatest albums of the last 30 or so years. Some editions just tell the story of the recording of said albums. Others tell a band’s story, focusing mostly on one moment in their history. Still, others tell the story of the listener’s relationship to the album. Whatever, I decide to do, this is a project I must try!
I had to drive for 90 minutes after learning of the call. So, I had time to think. My mind raced from album to album, trying to pinpoint the album most deserving of a 33 1/3 edition. I then had to consider my angle as the call implied that unique stories would receive preferential treatment. Maybe I could write about an album in relation to the rise of craft beer. Maybe there’s an angle I could consider that I’ve already explored on this site. Maybe I have a perspective no one else has…
So, I came up with a list of possible proposals for the series, but the publishers will only accept one. Feel free to submit your own, but all I ask is that you don’t steal any of my worthy ideas (if there are any). Tell me which I should pursue in the comments. I have an idea which one will stand the best chance of being accepted and actually completed, but I want to see what you all think. I also welcome any ideas you may have for me that I’m completely missing.
Terror Twilight – Pavement
This isn’t even my favorite Pavement record, but I feel there’s a story that hasn’t been told. For those who aren’t aware, this was Pavement’s last record. Between my experiences throughout the nineties with the band, my attendance at their final North American show (the first time around), my attendance at two of their reunion shows in 2010, and the stories swirling around their inevitable breakup during the recording of Terror Twilight, I think there is easily an entire book to write.
The Body, the Blood, the Machine – The Thermals
This album carried me through a tough time in my life and is just so ridiculously good. I thought that I might connect it to the rise of craft beer in Portland (or the rise of Portlandia in general). Plus, I have established a rapport with head Thermal Hutch Harris. Still, it might be a stretch to make the connections I’m trying to do here. That, and I’ve never been to Portland. I also considered albums by Cursive and Spoon during their brief sojourns to Portland or the transplanted albums by The Shins or Stephen Malkmus and the Jicks.
Number Seven Uptown – Swearing at Motorists
I always felt that this album just sounded like growing up in Ohio. Dave Dougman has an interesting story cutting his teeth in Dayton, before heading to Philly and eventually Berlin. He also seems really approachable. However, I don’t know that this album is known well enough for it to garner its own spot in the series. It’s certainly seminal to my experiences, but that might not be enough for 33 1/3. Other possibilities could include a Guided By Voices album not yet featured (Alien Lanes?), The Amps’ record, or Brainiac’s Hissing Prigs in Static Couture.
Other records I would consider but would probably just research the band, possibly leaving out my own experiences…
Perfect from Now On by Built to Spill
The Lonesome Crowded West by Modest Mouse
Come On Feel the Illinoise by Sufjan Stevens
Any album by Archers of Loaf
Funeral by Arcade Fire (Seriously, no one has written this book yet.)
Please come correct with your suggestions or your take on what I’ve cooked up here. Particularly, I’d love to hear the perspective of my beer enthusiast readers who know of a beer/music connection I must explore.
Mikkeller Royal Rye Wine: The Review
Maybe I’ve over-extended myself, but this special occasion was reason enough to take this blog where it’s never been before. The Mikkeller collab Royal Rye Wine arrived a couple of weeks ago. I’ve been sitting on it, waiting for a brief moment in my schedule to review it properly. I don’t know that the video below does it justice, but we tried record the event and maybe we’ll get better with each episode.
My disclaimer is that this video beer review thing is not easy. The Hopry is the gold standard and now I understand why he doesn’t do it anymore. It’s a lot of work. Then there are those who consistently do professional-looking videos at New Brew Thursdays and 100 Beers in 30 Days… We’re just not at that standard just yet. I made the valiant effort of editing out a large portion of my “ums”, but you’ll notice I’m loaded with them. This is why I, um, blog.
Anyways, here’s the video. Below that, I’ll add some thoughts, what we did with the rest of the afternoon, and maybe even some additional media. Comment freely, but be constructive.
So, the beer was good and completely caught us off guard (in case you couldn’t tell). Normally, the three of us can talk forever on such things, but this beer left us speechless – something only Mikkeller can typically do. The rye was pronounced. The grape/wine flavors came and went as our palate was challenged by the rye and the beer warmed. There was a slight amount of carbonation, but as we drank, that dissipated quickly. However, the body of the beer did not suffer. This truly is a wine drinker’s beer. Typically, I think of sour beers as being the closest thing to wine a brewery can accomplish, but this beer actually attains a wine-like feel without wine barrels and the infections they carry. We weren’t just blowing steam up Mikkeller’s ass. This beer is both interesting and a lot of fun to drink.
Now, as far as the video, I’m hoping we’ll get better. You all should provide plenty of suggestions to make it better. I’m pretty happy with the opening and closing. Jeff and Jarrett were great. (Be sure to check out any out-takes I’ll post below. There’s good stuff there.) However, my stumbling, bumbling dialogue needs work. Maybe I’ll prepare a little better next time. Maybe we’ll do it live and you can see how it really goes down.
Anyway, there are some credits I forgot to include or didn’t make clear enough. Jeff took the pictures. You can find them here. Jarrett is a certified cicerone. So, he knows about which he’s talking. The opening credits song is “Hardcore UFO’s” from the Guided By Voices record Bee Thousand. If I missed something, let me know in the comments.
We consumed the three beers above, plus one a homebrew Jeff contributed. The Allagash Interlude was a beer I found in Richmond, VA this past summer. It’s a 2009 vintage and contained tons of tartness with a touch of oak, another wine-worthy brew. Really, it was a delicious beer. I had had a 4 Calling Birds from The Bruery once before, but it was lost in a tasting. My palate was relatively fresh this time around and I found the nutmeg to be almost toxically good. Jeff’s homebrew was called Hop Heaven after Avery’s Hog Heaven Barley Wine. It was a hop-forward barley wine that could use some time to age, but that probably won’t happen. There’s noting wrong with that either.
Before I close, below you’ll find a video of out-takes, the two videos from Mikkeller dealing with the contest, and a Russian video about the Royal Rye Wine release. Enjoy!
Pics in this post are also courtesy of Jeff.
The Dead Season
January rolls around. We recover from our holiday hangovers and prepare to cleanse and write resolutions for the year. Typically, the same sort of reset happens with craft beer and indie rock. Both industries take a moment to breath in preparation for the new year, even if it’s our last.
I look at January as the “Dead Season”. There are no or very few major releases from either craft breweries or indie labels. Someone will point out that there are a few noteworthy releases, but this pales in comparison to the plethora of releases in November/December. Nope, this is the time of year little comes out as we collect our…er…collective breaths and prepare for what the year has in store for us.
Two notable releases will be my only respites during this Dead Season.
The first is the Guided By Voices album, Let’s Go Eat the Factory which features the band’s classic (and somewhat geriatric) lineup. And from what I can tell from listening to the stream on NPR, it’s an album that would have fit well among Bee Thousand, Alien Lanes, and Under the Bushes Under the Stars. Now, it’s not as good as those albums, but Let’s Go… is a swell piece of nostalgia reunions alone could never completely fulfill. I look forward to my copy arriving in a few weeks and giving you all a complete review then.
The other release is Bells Hopslam. Hopslam season has been well-documented here by the coalition and probably will receive some attention when this year’s version hits store shelves. I’ve put in an order for my family to obtain a minikeg again. After months of imperial stouts and oak-aged barley wines weighing down my palate, that shining light that is Hopslam will burst into my mouth, most likely featuring loads of grapefruit and honeyed sweetness. Can’t wait!
So, the Dead Season will end joyously with the nectar of the gods rolling down my throat as the dulcet tones of Bob Pollard and his boys rattle my eardrums. The Dead Season will end soon enough.
Top 10 Albums of 2011
OK. I’ve waited long enough. Here are my top-10 albums of the year. Most should come as no surprise, if you’ve been reading this blog all year. To start things off, we have the #10 album that I picked from a list of albums just outside the top-10…
10. War on Drugs – Slave Ambient
I currently do not own this record. I missed their show in town. Finally, at some point in November, I gave the record a listen on Spotify and was blown away. Ever since, I’ve been playing the shit out of this record. I don’t think it cracks the top-9 as they have stayed constant all year or at least since they’ve been released. Either way, this is a strong, strong record. It has that lazy garage rock mumble former member Kurt Vile does so well, but there’s an aura of shoegaze and shitgaze all in one album. It’s cool and hauting, even beautiful in some parts. I still regret not seeing this band when they came to town. Oh well. I’ll make up for it by propping their album up as one of the best of 2011, a year that has turned out a surprising amount of good-to-great music.
9. Bon Iver – Bon Iver
Although “boring”, there is nothing wrong with this album and that should count for something. After falling instantly in love, I soon decided that it was my mission to hate it. I couldn’t. Somehow, Justin Vernon achieves epic soundscapes, big noise, soul, urgency, and bitter cold in the most subtle of ways. I want to hate this record, but I can’t. It just feels right. Gone are the quiet, hushed log cabin recordings of yesteryear, but the intimacy is still there. This album is a major achievement and should be recognized as such.
8. Eleanor Friedberger – Last Summer
I missed this album’s release somehow. Insound was having a sale on Merge albums and I grabbed it since I’ve enjoyed quite a bit of Friedberger’s material with Fiery Furnaces. Anyway, this record is incredibly more approachable than the FF’s stuff. It doesn’t hurt that she was so cool hanging out the night she played St. Louis. I have a soft spot for artists who are nice people. Anyway, the album held up that night and I haven’t stopped listening since. Equal parts Patti Smith, Stephen Malkmus, and Joni Mitchell. It’s a really strong album from beginning to end. I can’t wait to hear what Friedberger does next.
7. Thao & Mirah – Thao & Mirah
I loved Thao Nguyen’s We Brave Bee Stings and All and saw she and Mirah perform some covers online. That was all I needed to purchase this largely overlooked yet timely album. Aggressive, percussive, completely danceable, and very fun, Thao & Mirah was a strong contender for this list from the first time I listened to it. This is a powerful record by two accomplished female artists about which I want my daughter to know. If this album somehow missed your awareness this year, go buy it and have some fun.
6. Cults – Cults
I don’t know what it is with all the nostalgia for Phil Spector these days, but Cults captured that and more with this solid effort, turning in the song of the summer in “Go Outside”. The album was a breath of fresh air since its release last spring. There was a time when I considered it an outside shot at album of the year. It captured my imagination that much. I worry that the band will struggle to put out anything as good as their first, but this isn’t a bad legacy to leave either.
5. Tune-Yards – W H O K I L L
Something about Tune-Yards was rubbing me the wrong way. Not sure what it was, but it didn’t last long. Everywhere I went, this record was playing. In fact, my favorite hangout often had this record spinning. I couldn’t resist. It’s infectious, raucous, fresh. I love the mixture of a lo-fi, nineties, guitar thing mixed with this dance-centric, percussive aesthetic all the kids are going for these days. I could listen to this album over and over, something I could say for any of these records, but especially for this one.
4. Wye Oak – Civilian
Wye Oak’s earlier material did next to nothing for me. Then, they did a couple of those AV Club things where they played cover songs. Then, they released a video and I was taken back to some mid-nineties indie. Stuff like Throwing Muses or Madder Rose when all these female voices began to emerge above the feedbacked fray of that era. This album is pure retromania for me and it’s plain good from first track to last. Jenn Wasner’s deep voice over a cacophonous racket fills my nineties nostalgic needs, much like the following albums on the list…
3. Yuck – Yuck
I have gushed enough about the nostalgic love I hold for this band and this release, but I have to say more so as to justify its placement in my top-10. And this is coming from a guy who doesn’t actually like the bonus material on the deluxe version of the record. Not everything these youngsters touch is gold. So, with this in mind, one has to consider that it’s impressive how right they got it when they put together an album that should have come out 15-20 years ago. Feedback, angsty lyrics, more feedback… It’s as if they invented the 90’s indie aesthetic and not Pavement or Sebadoh. I love this record. It’s nothing new or groundbreaking, but it perfectly captures what will be some pretty perfect moments in the development of my musical tastes.
2. Wild Flag – Wild Flag
When I heard this group was getting together, my head nearly exploded at the thought of all the possibilities. Then, they toured and my head blew up again re-imagining the ruckus Sleater-Kinney used to cause back in the day. Then, the music began to trickle out. Early on, the urgency detected in “Future Crimes” made me realize that this band was going to blow away all expectations. Wild Flag’s self-titled (a lot of these lately) debut is the perfect mix of S-K riot grrrl, Helium-style classic rock, garage punk, Runaways barnstorming, and indie sensibility. This album may be an all-time top-10 pick forever, assuming their follow-up isn’t more awesome. The guitar and vocals interplay between front women Mary Timony and Carrie Brownstein is only surpassed by the work Rebecca Cole and Janet Weiss are doing with backing vocals and holding down the low end. This is the super group to end all super groups.
1. Stephen Malkmus & The Jicks – Mirror Traffic
Yes, I’m biased, but how is this album not on every end-of-year list. I either missed the memo or have yet to change out of my Pavement-tinted glasses. I’ve never thought a Stephen Malkmus solo album to be a top-10 record much less a #1, but Mirror Traffic is different. The prog wizardry and blues riffs have been taken down a notch with the perplexing and sly wit of Malkmus’ songwriting coming to the front. Plus, the accumulation of talent in this band is pretty insane considering the ramshackle band Malk fronted for a decade made some of the most memorable music of my lifetime. This is the first album he’s done that doesn’t feel like the continuation of Terror Twilight, a complete break from his former trajectory and an album that sounds like another band wrote and recorded it. Then, there’s the production which is quintessential Beck Hanson all over. This is the easiest Malk album to which to listen since those halcyon days of Slanted & Enchanted and Crooked Rain, Crooked Rain. In fact, I’d say Mirror Traffic falls somewhere between those two great albums and Wowee Zowee. Yeah, I said it. So what?
I’m rambling a bit now, but that’s the list and I stand by it. (BTW, it’s no accident Janet Weiss is part of the top-2 records of the year.)
Just Outside the Top 10 of 2011 (Albums)
Coming up with one’s ten best albums of the year is tough. I’ve done more than that, but narrowing a list to ten is a much more difficult task than simply naming all the albums you bought in a year. Also, I have the terrible habit of proclaiming albums to be the year’s best long before I should. Then, there are all the albums that simply have not been given the time they deserve.
That said, I have narrowed my list to nine. All I need is one more, but the list that follows is what I have left to consider. Sure, I might miss a few when it’s all said and done, but these are albums I’m still considering for one spot. Feel free to comment on what’s here and what isn’t. Keep in mind that I already chose nine to make the final cut. I just need one more…
The Albums I Haven’t Listened to Enough Even Though I’ve Had Them for Awhile: So, I’ve had some of these records almost since they were first released this year, but for whatever reason, I just haven’t had time to give them a proper listen. All of the albums in this group deserve serious consideration as I’ve spent some time over the past couple of weeks trying to get reacquainted.
Okkervil River – I Am Very Far
As I was considering my favorite tracks of the year, I rediscovered “Wake and Be Fine” on another list of top songs. It made me want to rediscover this album just to make sure I didn’t overlook it. I had. While the narratives and poetic flourishes Will Sheff normally demonstrates in his songwriting is somewhat subdued in order to make room for more hooks, the production and instrumental dynamics more than make up for it.
Joan of Arc – Life Like
Honestly, I could write something up that just tells you all I know and/or think about previous JoA records prior to this one and it might be somehow accurate in describing this record. However, I won’t tell you anything. Just know that it’s long overdue a sit-and-git. Maybe I’ll pour a beer also deserving my attention. Either way, I remember loving portions of it, but I never listened to it and it landed on the island of forgotten LP’s.
BOAT – Dress Like Your Idols
The poor man’s Yuck, possibly, deserves more listens. I’ve actually been playing the shit out of it lately, giving it a hard look for the final slot in my list. It’s loaded with all kinds of nods to my heroes and theirs (apparently). The aesthetic reminds me tons of the sort of nineties retro indie that The Soft Pack and Surfer Blood play. It’s good stuff but nothing earth-shattering.
Mogwai – Hardcore Will Never Die, But You Will
What a massively great album this is. Why isn’t it in my top-10 already? I really haven’t listened to it enough to make that decision. Maybe I’d hear that one bit that put it over the edge or make it unworthy of top-10 status. I don’t know. I blame the fact that Sub Pop’s digital download system didn’t work and I never bothered to follow up.
Low – C’mon
I loved this album a lot from the beginning, but I worried that I wasn’t giving it enough distance. Then, I gave it too much distance and nearly forgot. It seemed too perfect of an album to be Low’s and maybe I was missing something. That’s not saying Low doesn’t make great albums. I’m just surprised a Low album could contain so many memorable songs. Albums are their thing, not singles.
The Albums that I, for Whatever Reason, Did Not Purchase This Year: I know these bands are good. I’ve read and heard enough to know that these albums should be considered. Why I still haven’t purchased them is unknown to me. Luckily, there’s Spotify. I’ve been trying to catch up on some material I missed over the year. More than likely, I will own all of these albums by February. Still, they sit collectively just outside my top-10.
War on Drugs – Slave Ambient
I don’t know how one determines Spotify statistics, but I’m sure I’ve played this album more than all others over the past month while at my computer. For whatever reason, I didn’t buy this album, nor did I go see them when they came to town. It makes no sense and this record is pretty good.
Kurt Vile – Smoke Ring for My Halo
See above, aside from the not seeing him even though he was in town, because he was not in town this year. I loved his set at Pitchfork last year and loved whichever record I do own. The crime of not owning this record will be rectified soon enough.
Thurston Moore – Demolished Thoughts
I own the other two Moore solo efforts plus a handful of weird records he’s done over the years. I have been loving anything Beck produces as of late – maybe my producer of the year. I am a Sonic Youth fan of like 20 years. So, why don’t I own this record? I have no idea. Now, I’m seeing it pop up on lists and I’m wondering what I’ve missed. Better give it another listen on Spotify.
I Saw These Guys and Was Impressed, So Their Albums Deserve Another Look: The following two acts were among those I saw play live. Somehow, I don’t own either album they were supporting. Upon considering the shows I’ve seen this year, that was an egregious oversight on my part. I’ll rectify it at least by giving them props where props is due.
Bill Callahan – Apocalypse
I made sure to see Callahan while in DC earlier this year, but I didn’t buy the record. Even his track “America” made my top tracks list. It’s a crime that I don’t yet own this record.
Jay-Z/Kanye West – Watch the Throne
Going to see Jay-Z and Kanye West forced me to play this album a ton on Spotify as a way to prep myself. Typically, I don’t like hip-hop records because they are single-heavy and loaded with filler. This album was different as it was complete from beginning to end. So, it deserves some consideration.
The Bands I’m Just Not Sure About at this Juncture: For various reasons, a few bands fell into this category. Some I loved right away, but I don’t know that it’s a long-lasting love, like for life kind of love. These albums still deserve some consideration, though.
Fleet Foxes – Helplessness Blues
At one point, I was ready to name this “album of the year”, but something made me reconsider. It may have been seeing so many bros in the Fleet Foxes camp or my general distaste for hippies. I don’t know. It’s still very, very good. I’m just not ready to commit to including it in the top-10, yet.
Beirut – The Rip Tide
This might be the most complete and realized album of Beirut’s string of excellent albums, but I don’t know that it qualifies this year. In year’s past when I’ve had a hard time thinking of ten albums I like, it would have held down a seven spot. However, I have found an embarrassment of riches in this year’s crop. Beirut’s record is good, but it might not be top-10 good.
Destroyer – Kaputt
This was another album I was ready to crown early in the year, but it seems its eighties aesthetic finally rubbed me the wrong way. Bejar writes a pretty awesome song and somehow harnessed bad Casios to sound cool and even contemporary, but I lost my patience for this record over time. Then, I saw it make a few lists of people I respect, causing me to pause for a moment. Should I reconsider Kaputt?
WU LYF – Go Tell Fire to the Mountain
This album popped up on my radar since its June release or sometime shortly before that thanks in large part to their underground marketing schemes online. It’s big, epic, and incoherent in ways I’ve never heard before. That usually means that it goes directly to my top-10 list, but this year’s list is loaded and I only just laid my hands on this record, maybe six months after its release. So, it may still take time to decide on this one.
Bright Eyes – The People’s Key
Bright Eyes has gone down hill, but this album grew on me for a while, especially after seeing the band on its final trip across the country. Also, it’s been receiving some recognition, making me think that I need to revisit. Of all these records, it may have the longest shot, but it’s still a worthwhile album.
Albums by Locals That Were Really Good and Maybe Could Use a Bump from the Coalition: I don’t often hear local releases that
Ptarmigan – The Forest Darling
I said it back in May and I’ll say it again, Ptarmigan put out a great record that stands out locally or beyond. Read what I thought here and I’ll let that stand on its own.
Dubb Nubb – Sunrise Sleepeyed
It’s hard to believe sometimes that Dubb Nubb are so young as their songs demonstrate a wisdom well beyond their years. On top of that, they have an infectious sound that’s hard not to notice. I’m looking forward to seeing them play again at True/False in 2012.
Jerusalem & the Starbaskets – Dost
Dost is getting some good press and deservedly so. Lo-fi and blues revivalism with a touch of country seem to be coming along at just the right time. The band is touring extensively, but I have to believe that their one big opening gig from breaking. People eat this shit up. I do.
That’s not even the final list. As mentioned before, I have nine other albums I love more than these, but I felt they all deserved some mention and the benefit of 100 page views. Which one would you pick to add to my top-10? Did any of these make your list? Comment freely. My top-10 will hit eventually. There will probably be something similar for beer as well.
Believers Kickstarter/Pre-Order
http://www.kickstarter.com/projects/1718566383/believers-first-ep/widget/video.html
OK. So, I’ve gushed about Believers here in the past. It’s fine. This local band is worthy of your attention. If you don’t believe me, look back through the archives and consider most of the other music I promote on this site. That should be enough for you to buy in.
Believers have launched a Kickstarter campaign in an effort to raise the money to master and manufacture their debut EP. There are various levels of giving and corresponding rewards, but $15 will get you a record and digital download. Consider it a pre-order. Beyond that, there are t-shirts, mixed tapes/CD’s, artwork, even a live performance if you’re willing to give enough. However, the $15 option is still a good one.
Check out the video above (Sorry, but WordPress isn’t playing nice with the embedding. Click on the link for the video.) to get some idea of what these guys are up to. If you listen carefully, you’ll pick up the sounds that you will be purchasing. Also, you can preview two tracks here.
Join in the Coalition’s efforts to make this Believers EP happen. That is all.
Twenty Best Songs of 2011
I don’t always do lists for best song, but I’ve paid particular attention to a few that have drilled holes into my brain and set up permanent residence. Most are the regulars but some might surprise. Also, I’m ranking art, y’all.
1. “Senator” – Stephen Malkmus & the Jicks – This, unsurprisingly is a sign of things to come, but I can’t for the life of me figure out why no one is on this bandwagon. Just listen to the song.
2. “Another State” – Dee Bird – Here’s a local song that I haven’t been able to get out of my head all year. It’s simple, lovely, and connected to this past summer’s visit from the cicadas. One-half of the twindie duo Dubb Nubb creates easily my favorite local track in years.
3. “Rubber” – Yuck – Shoegazing, drugged, grungy, feedback-riddled, slacker rock just makes me feel 18 again. Yuck are great nineties revivalists that have captured the decade of my youth and for that, I am eternally grateful. BTW, the video is NSFW. Also considered “The Wall”
4. “Gangsta” – Tune-Yards – Tune-Yards has masterfully figured out how to make dance-able indie rock, utilizing big beats, emo vocals, and the essential loud-quiet-loud dynamic. Although I came into possession of this album late, the songs have been running in my head all year. “Gangsta” is a standout. Also considered: “Bizness”
5. “Michael Jackson” – Das Racist – I like humor and weirdness in my hip-hop. I also like a hook. “Michael Jackson” has it all. After 3 hours of Jay-Z and Kanye West, all I could hear in my head was this track.
6. “Future Crimes” – Wild Flag – This song is just so full of angst and urgency. It makes me uncomfortable in my skin. It makes me want to dance. For me, this is the highlight of one of the year’s best albums. Also considered: “Romance”
7. “Mother” – Wye Oak (cover) – This one was from the A.V. Club’s Undercover series where bands passing through would record a song from a list of suggestions. Wye Oak eventually released this one as well as their first Undercover appearance playing a Kinks song. Also considered: “Holy Holy”
8. “Go Outside” – Cults – For my money, this was the song of the summer. Isn’t going outside all we want to do when it’s so nice out and we have to sit inside working all day?
9. “Ni**as in Paris” – Jay-Z/Kanye West – This is a pretty wicked song that the duo played like three times to close out their show in Kansas City. There’s also the perfectly timed and placed sample from Blades of Glory. (NSFW) Also considered “Otis”
10. “Helplessness Blues” – Fleet Foxes – Epic and sprawling, the title track from this year’s Fleet Foxes release all of that and a bag of granola. The sentiment is a bit sappy, but as with most FF tracks, it’s all in the vocal performances. This album faded for me down the stretch, but this track stood strong.
11. “Shell Games” – Bright Eyes – It’s been a long while since I would have ranked a Bright Eyes song so high on a year-end list. The album is really uneven, but when Conor Oberst gets a song right, he really gets it right. The song’s so upbeat for a Bright Eyes track that it’s almost a pop crossover hit.
12. “Ice Cream” – Battles – I can stand Battles in small doses, but those doses are pretty incredible. This song is so bizarre that it appeals to that teenage, indie geek inside me. (NSFW)
13. “Video Games” – Lana Del Ray – OK. Let’s ignore all the hype and debate over her authenticity. This song took the world – indie and otherwise – by storm this year. It’s haunting and beautiful with a highly contemporary narrative. Yes, I’ve fallen for it as well. I probably won’t buy the album, but I’ll listen to this song whenever possible.
14. “America!” – Bill Callahan – I got to see Bill Callahan this summer in Washington, D.C. and this song stuck out. For some reason, I haven’t picked up this record. That may have to be rectified in the coming weeks.
15. “Perth” Bon Iver – Justin Vernon outgrew his cabin in the woods with this one. I mean, there are actual electric guitars in there. Some of his latest effort strayed from the cabin fever he spread across the land his first time out, but even with some electric guitars this track shows Vernon at his atmospheric best.
16. “My Mistakes” – Eleanor Friedberger – This song should describe the conversation I had with Eleanor Friedberger . Nonetheless, this song translates well live, but it doesn’t have to as it’s just a great rock song.
17. “Wake and Be Fine” – Okkervil River – Somehow, I’ve forgotten about this album over the course of the year. Luckily, I remember being pretty excited for its release when this video was released. The big sound played well with the video’s cinematography.
18. “Try to Sleep” – Low – Low really hit it out of the park with this year’s release. “Try to Sleep” was probably the closest they’ll ever come to a hit. It’s sleepy and melodic, much more upbeat than their usual shtick. Also considered “Witches”
19. “For the One” – Waters – Port O’Brien broke up and another narrative was born when Waters was thought up. “For the One” is what Port O’Brien sounded like had they wanted to rock. The Waters album as a whole does not always deliver, but the first single does.
20. “Santa Fe” – Beirut – For several albums, I’ve been curious what Beirut would sound like when not emulating the music and culture of wherever his muse was residing at the time. “Santa Fe” is that song.
As always, what did I forget? What are you favorite songs of 2011?
Top 5: Xmas Records
I debated waiting to post this until the 19th, but I thought you’d all like a chance to set up your Spotify play lists or go record shopping. Know that the following albums should fill your Xmas with happiness and joy and they won’t suck too badly. Also, I tried to focus on only those albums that have a decidedly indie slant to them. All the artists may or may not be currently on indie labels or even considered indie, but the sentiment is pure indie and the execution is all craft.
Also, I considered compilations, but that just seemed too easy. These are full albums by indie artists that contain nothing but Christmas songs. An interesting fact about me is that I love Christmas music. I don’t necessarily get into most holiday traditions, but I love interesting Christmas music. I used to give mixed tapes as gifts.
Anyway, here’s a list of the five best indie Christmas albums. I may do one of my favorite songs next week or the week after. Also, be on the lookout for a beer post thematically similar…
5. Aimee Mann – One More Drifter in the Snow
Aimee Mann does mopey, sad music better than anyone. This is the type of thing I enjoy when countering all the happy joy joy that runs rampant this time of year. Sadly, her best Christmas song , “Christmastime,” is not even the best version of the song. You’ll have to hunt down the track with Michael Penn, appearing on the holiday compilation album, Just Say Noël.
4. She & Him – A Very She and Him Christmas
Some may be on Zooey Deschanel overload, but She and Him partner M Ward do some nice stripped-down versions of Christmas classics old and new. Plus, your indie cred will go up when you put on a record from Merge.
3. Bright Eyes – A Christmas Album
I know folks have their issues with Conor Oberst, but this album released to raise money for a Nebraska AIDS charity (They have AIDS in Nebraska?) is valuable find if you can locate it. Other than the strange reading of the “A Night Before Christmas,” Oberst and friends put a rather stark and desolate holiday season. You’ll notice this trend in the odd-numbered albums on this list.
2. Sufjan Stevens – Songs for Christmas
I have the free download of this album, as that’s how it was originally released. Since then, the Saint of Hipster Christians has released a 4-disc album of a pretty complete collection of Christmas tunes. This album was recorded during the manic, hyper-productive period for Sufjan Stevens when it seemed possible he’d actually write and record an album for every state. Oh well.
1. Low – Christmas
This EP just barely qualifies for the list, but for what it lacks in quantity, it more than makes up in quality. Low somehow captures the dark, lonely side of Christmas while creating a record of both old favorites and original soon-to-be-classics. You may not care for all of the artists above, but you have to own this record.
Thanks
I’m thankful for a lot. However, I won’t go into all that here. This blog is about craft beer and indie rock. So, I won’t go into my thankfulness for my health, family, home, etc. Those all go without saying. No, this post pays homage to the little extras that provide a little spice to life, the things for which I obsess over and blog about incessantly.
10. Improved Missouri Distribution – Since I’ve moved here and eventually became a beer enthusiast, the distribution in this state has increased dramatically. I don’t even think I can name all the breweries we’ve added in that time. Off the top of my head, I can think of Firestone Walker, Lagunitas, Stone, Founders, Ska, Jolly Pumpkin, Stillwater, and a bunch more I probably didn’t realize weren’t already available here. We currently get nearly all the important Michigan and Colorado breweries. Our west coast selections improve monthly. It’s a great time to be a beer geek in Missouri.
9. Two Clubs, Two Cities – It’s tough trying to see bands in a town such as Columbia. We’re not really gib enough for a lot of acts, but we do have options. Two clubs here are just the right size for most indie bands. There’s Mojo’s with it’s barn-like qualities and the Blue Note with its old-school dancehall/porno theater feel. And when bands don’t want to stop here, it’s not a huge deal to drive two hours in either direction to see them in St. Louis or Kansas City. This year alone, among others, I’ve seen Sebadoh (Mojo’s), Yo La Tengo (Blue Note), Beirut (St. Louis), and Wild Flag (Kansas City) in four different places. That’s not bad for an old man.
8. The Ohio Pipeline – Even though Missouri’s distribution is improving, there are still many breweries we do not get. I could do some online trading or simply buy online, but that gets expensive. Luckily, for every brewery we don’t get here, there’s a better than average chance they do get it in Ohio. Between my siblings (one who works at a Whole Foods) and my mom (who drives here once a month to see me her only grandchild), I have a steady flow of out-of-market beers to keep myself satisfied.
7. Insound – I’ve complained before that there’s no decent record store here. Thankfully, Insound is always a click away. At one point, they shipping so many records to me that the UPS lady asked my wife if I was a DJ. Hardly. No, I’m just a man with a problem, an addiction, an addiction to vinyl.
6. Glassware – A beer out of the wrong glass or even out of a bottle is just not the same as one served in the proper glass. Over the years, I have collected several different glasses in which I can enjoy some of the finest beers in the world as well as some tasty homebrew. I have various stemmed glasses for various styles of beer. I have enough conical pint glasses to serve a decent-sized party. There’s even the set of taster glasses for those who just want a small taste of a big beer. Over time and many bottles of beer, I’ve found the tulip to be the best, most versatile glass. The stem gives me something to hold onto if I don’t want to warm my beer. The bowl presents an option to make my beer warmer. The lip allows aromas to flow. Quite simply, it is the perfect beer glass.
5. The Nineties Are Still Alive – In case you haven’t figured it out, I am a child of the nineties and my musical tastes reflect as much. My favorites continue to be nineties mainstays and most of the new music sound so 20 years ago. The two best albums might be by Wild Flag and Stephen Malkmus, ambassadors for the decade. New, younger bands such as Yuck and BOAT have ’90’s written all over them despite their youth. It’s the decade that will never die. Spin and I will make sure of that.
4. My Bottle Opener – For whatever reason, I like to hold onto the bottle caps from the beers I drink. In the past, I’ve turned some into refrigerator magnets, but most just go into a drawer. Still, it’s a luxury to have an opener that opens caps without bending them. My opener does that. It’s fashioned from an old railroad spike. It’s heavy and rustic looking. My bottle opener is a conversation piece before we ever crack open a bottle.
3. 180 Gram Vinyl – I love to listen to vinyl, but I worry that it may warp or that the record won’t stand the test of time. However, with hefty 180 gram vinyl records, I don’t worry about that. One can feel the weight of a 180 gram vinyl record the way one should feel the resulting music from the grooves within. The record is so tactile anyway, it’s nice to feel some heft as you lift a disc to rest on your turntable.
2. Mikkeller, Stillwater, Jolly Pumpkin – I love breweries that push limits and don’t taste like any other brewery. These three do what they do at the highest level and often alone. Mikkeller, Stillwater, and Jolly Pumpkin are the kinds of breweries that keep my attention firmly set on craft beer. They’re always good and even when they’re not, they’re at least interesting.
1. This Blog and Its Readership – Seriously. This blog has really taken off since the Freshly Pressed moment last winter, but the continual participation and contributions from my readership have really moved me to post as often as I can. In fact, I’ve looked forward to finishing a post a day throughout November because I know that you all will respond in kind and often add to the discussion in a way that makes me think and motivates me to write again.
Thank you faithful readers and have a happy Thanksgiving.
Thanksgiving Pairings
I am here to help you with your Thanksgiving music and beer pairings to insure a happy and enjoyable turkey dinner. That and I’m filling space until this post-a-day thing is over…
Indie Rock Thanksgiving
Here are five albums you should consider playing during Thanksgiving dinner. To some, this list may look “boring,” but to those I suggest that maybe we don’t want to rock out with our cocks out or balls to the wall, so to speak. Maybe this Thanksgiving, we want to be calm and reflective. That and my wife doesn’t want anything loud playing during dinner.
Jose Gonzalez – In Our Nature
Quietly haunting and intense, this record will carry the day with this unnerving feel that have you bobbing your head slightly. However, no one will notice as the quiet, hushed tones of Mr. Gonzalez will feed your soul the way turkey cannot. That and it reminds me of fall.
Nick Drake – Way to Blue: An Introduction to Nick Drake
I usually shy away from compilations or best-of albums, but this one is done right as a retrospective of Drake’s career. Throughout, feelings of the oncoming death of winter are prevalent at all periods in Drake’s catalog. His low whisper is pleasant enough not to interrupt dinner conversations, but his masterful guitar playing provides fodder over the table.
Bon Iver – For Emma, Forever Ago
I had Thanksgiving dinner a couple of times in Wisconsin. This is what it sounded like (aside from the joyous times spent eating and getting drunk). The first time I made the trip up there, it was the last time I traveled anywhere with an old girlfriend. So, I can relate to Bon Iver’s dumping, the one that led to this album happening.
Nico – Chelsea Girl
I needed a woman mixed in here somewhere, but so many of the women I listen to are much to strong to play as background music at dinner. It’s hard to find a strong conviction in any music without interrupting the dinner. Nico’s somberness while being backed by the Velvet Underground pairs nicely with the whispery fellows on this list. That and it reminds me of Wes Anderson films that always look good at Thanksgiving.
Beirut – Gulag Orkestar
This album may be a little more bombastic than those above, but that tone fits with a raucous dinner that feels festive once familial tensions break over bread. Still, this is Beirut’s best album. It should be listened to during any feast.
Also: Sufjan Steven’s Come on Feel the Illinoise, Pavement’s Terror Twilight, Feist’s The Reminder, Beach House’s Teen Dream, Iron and Wine’s The Creek Drank the Cradle, Cat Power’s What Would the Community Think
Craft Beer Thanksgiving
Here are suggestions for each course of your Thanksgiving meal. There’s a style of beer as well as my favorite for the day. I’ll also tack on a couple of other beers that fit the profile. I’m basing this mostly on how my Thanksgivings usually go. This year will be different, but I think I can still keep up this pace.
Pre-game Warm-up: Lager (really, any kind) – Victory Prima Pils
The idea here is to awaken the senses without getting too drunk before you start. The light, effervescence of a well-carbonated lager can get your taste buds properly primed for the feast to come. I usually crack open the first one while I fire up the smoker.
Alternatives: Coney Island Lager, Great Lakes Brewing Company Dortmunder Gold Lager, Avery Joe’s Premium American Pilsner
Cheese/Appetizer Course: India Pale Ale – Firestone Walker Double Jack Double IPA
Cheeses tend to carry with them strong, pungent flavors and aromas that challenge any palate. The best beer to match a strong cheese is an IPA or DIPA. Even with softer, lighter cheeses, I find a west coast IPA brings enough fruity character that neither cheese nor beer is lost in the other. Plus, I just like IPA’s.
Alternatives: New Belgium Ranger IPA, Stone Cali-Belgique Belgian IPA, Bell’s Two-Hearted Ale
Main Course: Belgian Quadrupel – St. Bernardus Abt 12
We typically serve a smoked turkey which packs the juicy flavors we want in our Thanksgiving turkey as well as substantial smokiness. The malty Quad matches and stands up to the smoke like few other beers can. The dark fruit flavors in the beer pair with almost any food like a red wine does, but better. The Quad is the only way to go when it comes to turkey dinner.
Alternatives: Three Philosophers Belgian Style Blend, Boulevard The Sixth Glass, Straffe Hendrick Quadrupel
Dessert: Russian Imperial Stout – Schlafly Reserve Russian Imperial Stout
Dessert is going to be something chocolaty, fruity, or pumpkin/sweet potato. Russian Imperial Stouts bring coffee, bourbon, and chocolate to match and/or pair with any of these desserts. Or you could just sip on one of these beers alone for dessert. It’s the same thing.
Alternatives: Stone Imperial Russian Stout, Mikkeller Black, Hoppin Frog B.O.R.I.S The Crusher Oatmeal Imperial Stout
Digestif: American Barleywine – Great Divide Old Ruffian Barley Wine
Barleywines feature a sweetness and hop bitterness thats nice to sip, not guzzle. Of course, after all this food, sipping yourself off to sleep might be the way to go.
Alternatives: Avery Hog Heaven, He’Brew Genesis 15:15, Sierra Nevada Bigfoot Barleywine Style Ale
What will you be drinking? What will be playing on your record player (or iPod)? Do tell. Also, be sure to point out my faulty reasoning.
Beer and Pavement 
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