Beer and Pavement

How I Got My Groove Back

Posted in Live by SM on January 31, 2011

The Foundry Field Recordings in warmer times.

It’s about time I got out to see some bands this year. I had pledged to get out more, but it just hadn’t happened. Due to weather[1], my dwindling bank account, and lack of motivation, my first rock show of 2011 didn’t happen until the last Friday of January. Lame, I know.

Still, I was excited to get out and see local heros The Foundry Field Recordings. I once likened them to a “boring version of Death Cab for Cutie,” which was a hasty assessment and not fair[2]. Now, if they’d only release that next record…but that’s another post for another time[3]. Friday was about a rock show.

There was actually room for me on the list at the door and I slipped in free of charge. A Lagunitas IPA later, The Foundry Field Recordings were on. It was a blistering set with nary a witty exchange between songs. All the favorites from previous releases were present as well as few of those tracks that have yet to be officially released. It was nice to ease myself into this local-centric mindset toward rock shows with an old friend.

And the FFR are friends of the Coalition for sure. Besides putting my name on the list[4], the guys showed me to the “green room” which used to be a kitchen for a Jamaican joint inside of Mojo’s[5]. Upon entering this back room, I discovered a TV and Sega Genesis with NBA Jams. I lost by one point to FFR’s Billy Schuh, but I was glad to represent well with the Cavs combo of Mark Price and Brad Daugherty. I returned the favor with a little muscle in moving some equipment to the band’s practice space[6]. One after-hours drink later, I headed home.

Friday night was not typical, at least in recent months, but to do it two nights in a row was even stranger. There was another local gig, this time at East Side Tavern, and Billy got me in for free for the second straight night in a row. Playing Saturday night was another local act, Richard the Lionhearted. Something about this band feels so familiar, but this is maybe the second time I’ve seen them. They’re serious about this band thing and it shows in their sharpness and professionalism[7]. I’ll be looking for more Richard the Lionhearted as I continue to get in touch with the scene, which should continue as the year progresses.

Speaking of which, I’ll be blogging elsewhere about said scene. There will be more once some details are worked out and my first post is up.

Notes:
1Apparently, Middle Missouri is expecting 18 inches. That’s right. 18. Anyway, people were going ape shit at the grocery. Snowpocalypse III of the winter hits later today. Instead of a rock show, it may keep me from a cellared beer tasting to which I’ve been looking forward. Damn snow.
2OK. I was a little tipsy and eagerly anticipating the headliner, Spoon. So, that first assessment of The Foundry wasn’t even remotely fair. Plus, I’ve had time with the band’s material – released and otherwise – and consider them a pretty solid act.
3The “new” material is really good. It’s got hooks for miles and resembles the peppier music of The Shins. Seriously, the band needs to release this shit and yesterday.
4After everyone else on the list couldn’t make it.
5I do miss the goat curry.
6OK, so I didn’t really lift/move much, but I was there and I carried some stuff, nothing too heavy.
7Aside from a Doors cover.

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The Six Degrees of Thurston Moore: Challenge #1

Posted in Challenge, Six Degrees of Thurston Moore by SM on October 9, 2010

You may recall that my last post proposed a theory that any indie or alt musician could be connected to Sonic Youth’s Thurston Moore in six steps or less. I demonstrated this to be true with the likes of Ani Difranco, Deerhunter, and Justin Bieber. Then, I invited my readership to come up with some musicians of their own for me to connect to Thurston.

My loyal followers did not disappoint. The first three suggestions included a little-known Australian indie outfit, a local band from right here in Middle-Missouri, and a hard-rocking, bow-toting guitar hero. None are obvious at first, but all prove my theory.

First up: The Go-Betweens – This Australian band enjoyed some minor success throughout the 80’s with songs like “Streets of Your Town” and “Was There Anything I Could Do?”, but are they within six degrees of Thurston Moore?

  1. The Go-Betweens featured Amanda Brown on violin.
  2. Amanda Brown played violin for R.E.M. in several tracks and even appeared in their tour documentary, Road Movie.
  3. R.E.M. recorded “Crush with Eyeliner” with Thurston Moore on background vocals (and possibly guitar?).

Another route I could have taken is as follows…

  1. The Go-Betweens once collaborated with Nick Cave on a project known as the Tuff Monks.
  2. Nick Cave curated an All Tomorrow’s Parties in Australia.
  3. ATP has also been curated by Thurston Moore on two occasions.

Next up: The Foundry Field Recordings – This is a local band here in Columbia and if it works in five steps, I too will be six degrees from Thurston Moore (whom I’ve actually met in-person…wait…)

  1. The Foundry Field Recordings are on Emergency Umbrella Records.
  2. EU features Sinkane, AKA Ahmed Gallab, on its lineup.
  3. Ahmed Gallab is also a current member of Yeasayer.
  4. Yeasayer appeared on the compilation Dark Was the Night.
  5. Dark Was the Night featured Matador bands Spoon (formerly), Yo La Tengo, and Cat Power.
  6. Matador is the current label for Sonic Youth.

Yeasayer also opened for Beck on tour and that’s just a hop, skip, and a jump to Sonic Youth, but you get the picture.

Finally, stepping away from indie bands, my cousin suggested Ted Nugent. This might stretch the theory, but here goes nothing. I mean, how in the hell is a NRA, right-winged, hair metal nut-job only six degrees from one of my heroes? Watch and learn…

  1. Ted Nugent was in Damn Yankees whose label was Warner Brothers.
  2. Warner Brothers’ lineup includes The Flaming Lips.
  3. The Lips once famously opened for and backed Beck while he toured to support Sea Change.
  4. Sea Change was released on Geffen Records.
  5. Geffen started the rush for indie and punk bands in the late 80’s/early 90’s by signing (yes, you guessed it) Sonic Youth.

So, there you have it. The theory of the Six Degrees of Thurston Moore lives on! If you have quicker or more interesting connections than the ones I provided, please share. If you have musicians I can’t possibly connect to Thurston Moore, share those as well.